Maria Carbone Tradita

Performing, recording and commissioning music by the legendary conductor and composer José Serebrier, throughout my almost 15-years long friendship and collaboration with him, has never been, for me, less than utterly fascinating and inspiring. José Serebrier (born in 1938) is today’s most frequently-recorded conductor, has collaborated with some of the world’s greatest soloists and orchestras, and is among the most sought-after guest conductors, constantly touring with major orchestras around the world. Serebrier established himself as a significant composer as far back as the 1950s, with over 100 published works. Born in Uruguay, of Russian and Polish parents, Serebrier composed music and conducted orchestras since early childhood, conceiving his Opus 1 – Sonata for solo violin at the age of 9, and making his conducting debut at age 11.

Duos don’t always have the temperament for the smouldering fires of Franck as well as the sudden whims of Debussy. Dumay and Pires join the select few. They take their time to find Debussy’s opening pulse, but they establish an individual, thoughtful freedom that ‘speaks’ sensuously and assertively. In the finale, they let unexpected passion grow from the central waltz, setting up a brilliant final flourish. Implicit in the initial, floated phrases of the Franck is a sense of the arduous journey to come. Intensity surges up by degrees towards the soul-torturing struggles at the sonata’s centre, and recedes before a gradual return of serenity and confidence.

“The Genius of Ysaÿe” presents several masterpieces by the legendary Belgian violinist and composer Eugène Ysaÿe (1858-1931), including three world premiere recordings – the first recording of his recently discovered Introduction for Solo Viola, as well as the world premiere recordings of Ysaÿe’s final versions of his Two String Trios for violin, viola and cello (Op. 33 and Op. 34). Ysaÿe’s marvelous Sonata for Solo Cello, Op. 28 is also among the gems on this album, in addition to his most wellknown masterpiece – the “Ballade” (Sonata No. 3) from his Six Sonatas for Solo Violin Op. 27. The performers of this splendid album – violinist Elmira Darvarova, violist Ronald Carbone and cellist Samuel Magill – have been involved for years with Ysaÿe’s String Trio No. 1, Op. 33, also known as “Le Chimay” (a work, hailed in the press as one of the greatest chamber music compositions of the 20th Century), and they presented its New York premiere in 2008.

Maria Callas - Pure (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 77:54 minutes | 1,15 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Opera singers come and go, but just a few – the legends – live on. And Maria Callas was the greatest legend of them all, though not just for the wonder of her voice. She changed the way people thought about opera, but she also became famous as the glamorous celebrity who fell in love with Aristotle Onassis, leaving her elderly husband to live with him on his yacht Christina and enjoy the high life with the international jet set.

With the present release of this Donizettian masterpiece, recorded live in 2001, Dynamic makes an historic move, becoming the first Italian label to produce a DVD opera. This very high quality production by Teatro Donizetti di Bergamo features, in the roles of the two queens, Carmela Remigio (Maria Stuarda) and Sonia Ganassi (Elisabetta), two great artists here making a fine display of their excellent vocal and acting skills. Francesco Esposito’s direction and costumes, and Italo Grassi’s sets are very effective and superbly highlighted by the filming. What makes the release even more interesting is the use of a new critical edition made by the renowned Swedish musicologist Anders Wiklund for Casa Ricordi.

MARIA CALLAS is regarded as one of the greatest divas of all time, whose recordings are standards by which all subsequent performances are judged. The 10-CDs of Live Recordings capture her on some of the greatest nights of her career and contain an interview by American Opera commentator Edward Downes. This recital performance are an invaluable addition to Callas s recorded legacy and show yet another side of this unique diva, whose vocal achievements stand unrivalled today and probably for all time. The eye-catching clamshell box are a collectors delight.

From the sweet to the salacious to the poignant, Maria Muldaur's eponymous, strong debut features savvy studio vets, talented guests, strong tunes, and Muldaur's lissome pipes. The outstanding players include Ry Cooder, David Grisman, Clarence White, and Mac Rebennack, better known as Dr. John. A tasteful guitar solo by the underrated Amos Garrett elevates the charming surprise hit single "Midnight at the Oasis." Although she later gravitated to jazz and gospel, Muldaur's first outing is heavy on songs derived from country and blues. A rousing "Work Song," borrowed from Kate & Anna McGarrigle, is only one of several highlights.

There are a number of arguments to be made for and against Maria Muldaur's 2008 antiwar statement Yes We Can! on Telarc (before actually listening to it; remember, we live in a cynical culture). The "perceived" negatives all relate to the intent of the recording and who it's supposed to reach (no doubt an expression of the same set of beliefs rooted in Muldaur's 1960s music), and the fact that it's loaded with guests (in all fairness, these star-studded affairs seldom work). On Yes We Can!, her guests include Muldaur's old friends (Joan Baez, Bonnie Raitt, Phoebe Snow, Jane Fonda, and Holly Near) and influences (Odetta) and new pals (writers/spiritual gurus Anne Lamott and Marianne Williamson, and Indian spiritual teacher Amma). Does it read as if it is yet another exercise in self-referential backslapping? Yep. But don't believe everything you read on the back of a CD jacket. The positives are all musical.