Marie Flore Ftg

Since our meeting during our studies at the Sibelius Academy in Helsinki in 2010 and a few years of concerts and exploration, we are happy to be able to concretize a project that has been close to our hearts for a long time: the recording of our first disc. We designed the Color Gradient program together, featuring works composed between the end of the 19th century and the present day. The program is a journey from France to America and from so-called classical music to almost improvised music. Color Gradient can be seen as a tribute to the incredible stylistic and aesthetic evolutions of music during the 20th century in terms of harmony, form and melodic freedom.

The Oriental Jazz Project presents its new album "Proche Orience". Here are four musicians of the new generation of European Jazz, who are not afraid to mix Arab-Andalusian, and world music with modern jazz, to offer us an organic and sophisticated universe, resolutely modern… Created by the belgian-moroccan pianist Marie Fikry, the oriental Jazz project offers a repertoire of original compositions that creates a dialogue between Europe and North Africa. The oriental percussion occupies a key place as a soloist, while the piano, echoes like a Oud instrument, which offer the Oriental touch to the project.

Producer extraordinaire John Morales returns to BBE Music, celebrating the life and work of R&B / soul legend Teena Marie with a double album full of brand new remixes, lovingly crafted from the original studio tapes, entitled ‘Love Songs & Funky Beats’.

Homelands – A musical voyage into the heart of a rich polyphonic repertoire born out of the union between folklore and art music during the 19 th and 20 th centuries.

12 of the biggest '70s hits and most memorable duets that Donny and Marie Osmond recorded before taking their superstar act to TV! Includes their smooth pop hits I'm Leaving It (All) Up to You; Morning Side of the Mountain; Deep Purple; Make the World Go Away; Paper Roses and more.

Robert Schumann and Gabriel Fauré - both composers are great masters of the small form, the art of saying a lot with few notes. And both find their deepest and most touching statements in the intimate form of chamber music, which Schumann called "the higher potency of poetry" in his diary. All arrangements were worked out jointly by Martin Löhr and Marie-Pierre Langlamet.