Popular throughout the 1960s and '70s, Marie Laforêt is a French pop singer who garnered fame initially as a film actress during the early to mid-'60s. Born Maïténa Doumenach to parents of Armenian heritage on October 5, 1939, in Soulac-sur-Mer, Aquitaine, France, she made her film debut in 1960 in the René Clément drama Plein Soleil, a big-screen adaptation of the Patricia Highsmith novel The Talented Mr. Ripley. Plein Soleil not only launched the acting career of Laforêt; it also made a cinema star of actor Alain Delon. In the wake of her showbiz breakthrough, Laforêt was offered one role after another, notably beginning with Saint Tropez Blues (1961) and La Fille aux Yeux d'Or (1961).
Named after the 18th-century dance-style movement 'Badinerie', this beautiful new album from flautist Julien Beaudiment and harpist Marie Pierre Langlamet offers a diverse span of repertoire, with a rich collection of works from across the centuries. At the heart of the album lies Francis Poulenc's Sonata FP 164, with it's three emotive movements, each painting a vivid musical picture. The wistful Allegro malinconico and the playful Presto giocoso show Poulenc's stylistic intricacies, while Mozart's soul-stirring Adagio from K 285 transports listeners to a realm of serene beauty. Johann Sebastian Bach's iconic Badinerie infuses the collection with Baroque charm.
The opera Šárka could be termed a joint work of deep love and feeling. Zdenek Fibich composed it at the end of the 19th century to the libretto of Anežka Schulzová, his pupil and love of his life. The story of Šárka loosely links up to the action of the festive opera Libuše, created by Bedrich Smetana. It depicts the outbreak of the so-called Maidens’ War following the death of the mythical Princess, when women wanted to regain the privileges they had once enjoyed under Libuše’s reign.
The young Swiss soprano Marie Lys was pleasantly surprised to discover that many of the roles she has sung in George Frideric Handel’s works in recent years were written for the spectacularly virtuoso soprano Anna Maria Strada, Handel’s prima donna in the London of the 1730s. Accompanied by the Abchordis Ensemble and Andrea Buccarella, the group’s conductor and harpsichordist, Marie Lys decided to dedicate her first solo CD on Glossa to “La Stradina”, with an in-depth study of Anna Maria’s life on stage and the extraordinary vocal skills her roles demanded.
2010 release. After seeing the overwhelming response to Safe Inside The Day in February 2008, the peerless Baby Dee returns with A Book Of Songs For Anne Marie. What was overwhelming about the response was the pure reaction to the purity of expression in Dee's music. That dizzying sense of self is again an essential feature of this new music. While the last album was lit with the production fire of Will Oldham and Matt Sweeney producing, A Book Of Songs For Anne Marie glows softly with the calming presence of Maxim Moston (arranger of some standing and part of Antony And The Johnsons' touring band). In essence, this album is a prequel to Safe Inside The Day. The songs here were released in a different set of recordings and in a limited-edition book form (150 copies!) on David Tibet's Durtro label back in 2004. For most listeners, this is its first outing. 12 tracks. - Amazon
Marie Fredriksson is a Swedish pop singer-songwriter and pianist, best known for forming one half of the pop duo Roxette, which she created together with Per Gessle in 1986. (…) In 1992 Fredriksson returned to her solo career, recording the soul searching Den ständiga resan. The album was her musical self-portrait and was written like a diary, containing very personal songs about her life, feelings and relationships.
Anne-Marie’s second studio album, ‘Therapy’, is the official follow-up to her multi-platinum and four million-selling 2018 debut, ‘Speak Your Mind’ [the UK’s biggest-selling debut release of that year]. An artist whose everywoman candour and knock-you-down vocal range has reverberated across the globe, ‘Therapy’ is a collection of songs that embody Anne-Marie’s characterful artistry, self-effacing attitude and beautiful honesty; attributes that have not only catapulted Essex-born Anne-Marie to platinum status in the UK to the USA and everywhere in-between, but ones that have seen her reign supreme a fearless Gen Z role model. It features guest appearances by KSI, Digital Farm Animals, Little Mix, Niall Horan, Nathan Dawe, MoStack, and Rudimental. The album was supported by four singles: "Don't Play", "Way Too Long", "Our Song", and "Kiss My (Uh-Oh)", while "Beautiful" was released as the sole promotional single off the album on 12 July 2021. The album received generally positive reviews from music critics and was also a commercial success.
Marie Claire D'Ubaldo is an Argentine singer / musician and a prolific songwriter; she has appeared as a guest vocalist on many albums. She had her biggest success with "Falling Into You" which was covered by Celine Dion, who also named her album after the single.
Her biggest personal hit was "Rhythm Is Magic"; it went to number 1 in Italy for 5 weeks in the summer and was the 4th most air played single of the year, and was used in the soundtrack to the Italian film "Il Ciclone".
It Must Be Magic is the fourth studio album by Teena Marie, released in 1981. It was her last album for Motown and the highest-selling of Marie's tenure with Motown. Like Irons in the Fire, it was fully written and produced by Marie herself, and received a positive critical reception.