Fresh, innovative indie swing from Vienna. This trio, led by the sparkling and charismatic Marina, engages spectators in her swing, swing, swing world with personal compositions and an original line-up. Racy gypsy guitars, nimble melodies, airy snare drums and Marina‘s uniquely charming voice conflate into a nostalgic cocktail. Marina & The Kats take you on a dreamy journey into the times of Django Reinhart and Cab Calloway, the Divas and the Crooners, the Lindy Hops and Radio Shows, Buick Rivieras and convertibles Cadillac… Originally a three-piece and now a quartet, Marina & The Kats has been one of the most exciting and trailblazing bands in Austria (if not Europe) for years, as anyone who has ever had the chance to catch one of their many high-octane shows will confirm.
Marina Baranova knows a thing or two about conjuring fantastical worlds. Since her childhood when she’d sit with her fairy tale books open in front of the piano translating the pictures she saw into sound worlds up to her last album, where she envisioned a darker side to Debussy, the Ukrainian composer and pianist’s imagination has always played an active role in the music she plays. For her latest release, 'Atlas of Imaginary Places', she lets it run the show. For it, Baranova worked with the Danish visual artist Christian Gundtoft and Ukrainian writer Volodymyr Kompaniets to conceive more than just an album. “I wanted to create this alternative listening experience,” she explains, “Don’t underestimate the power of imagination, now more than ever, it’s important to remember we have this treasure within us.”
Marina Viotti’s first solo recital, ‘Porque existe otro querer’ (Because there’s another lover), combines French and Hispanic romances in an exploration of the chromatic kaleidoscope of love’s feelings.
For many years Marina Tarasova has been one of the most renowned Russian cellists; a winner of International Competitions in Prague, Florence and the Grand Prix in Paris and a laureate of Moscow’s Tchaikovsky International Competition.
Two of today’s most exciting artists on the international opera scene meet for a very personal project. Audax Records has followed Adriana González's career since its beginnings and offered carte blanche to the artist who invited Marina Viotti to join her for this program devised by Iñaki Encina Oyón. A florilegium of French duos by composers such as Fauré, Franck, Chausson, Massenet, Gounod, Lalo, Delibes, Viardot, Widor, Paladilhe, Devéria, Chaminade and Puget, including several world premiere recordings.
The dignified bearing and quiet wisdom of Nikolai Myaskovsky (1881–1950) gained him the sobriquet of ‘the conscience of Russian music’ – and those qualities are reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy. The pairing here of his late Violin Sonata with his last two song-cycles for soprano and piano mirrors the Moscow concert in 1947 when all three were given their first performances.
Fresh, innovative indie swing from Vienna. Originally a three-piece and now a quartet, Marina & The Kats has been one of the most exciting and trailblazing bands in Austria (if not Europe) for years, as anyone who has ever had the chance to catch one of their many high octane shows will confirm. Their new record "Different" is, on the one hand, as coarse as it is frank, infused with a reassuringly rough and ready swagger. It is also, understandably though, a musical reflection of the last year. A rollercoaster ride of a year that started promisingly with concerts in Israel, Germany and Austria, suddenly came to an abrupt halt. So too did the band as the ingrained drive and passion for the stage hit a metaphorical brick wall, leaving them to come to terms with the fact that life and making music had come to a complete standstill.
Following her acclaimed début recital, Marina Staneva returns with a programme of works by the Spanish-Catalan composer Federico Mompou. The programme opens with Paisajes (Landscapes), written in 1942, 1947, and 1960. The first two pieces are dedicated to the Catalan pianist Carmen Bravo, whom Mompou met after his return from Paris to Barcelona in 1942, and subsequently married.
Pianist Marina Baranova looks at Christmas through the eyes of an outsider. “I was born into a Jewish family in Ukraine and am the great-granddaughter of a rabbi. So I've never celebrated Christmas before, which allows me to look at it from the outside.“ On her new album “White Letters“ she makes her experiences audible. “This album reflects those sensations.” In her unique musicality, which combines light-fingered virtuosity with compositional sensitivity, she creates a world between Christian melodies, Ukrainian winter tunes and Jewish festival of lights sounds. All works oscillate between original, sensitive arrangement and free improvisation. The musician feels home in the space between the classical piano repertoire and her own modern classical compositions, both discographically and in concerts. The fact that she now allows such a personal musical look at her origins is also due to the current situation. “I return inwardly to my then peaceful home, the landscape outside covered with snow and inside warmed with parental love.“