Legendary Album Recorded in 1972 from Tormented and Nostalgic Singer, J. brel. 11 Songs Including 'Les Biches', 'ne Me Quitte Pas', 'la Valse a Mille Temps' and Much More.
"Ne me quitte pas", au début, ne marchait pas tellement. Au bout de quelques années, Jacques Brel ne l’a plus chantée. Mais quand il est mort, de très nombreux artistes comme Nina Simone … ont repris sa chanson, et puis c’est devenu un Succès Mondial ! Il y a des mystères …" Gérard Jouannest
Le Poème Harmonique, one of the most important early music ensembles in France, is celebrating its 20th anniversary this year. For this occasion ALPHA CLASSICS has compiled twenty CDs from the catalogue in an attractively designed box. Award-winning recordings can be heard, some of them with an unusual repertoire from the Renaissance and Baroque periods. For loyal fans and those who want to become fans!
Perhaps the Sergio Mendes & Brasil '66 sound was at last beginning to show signs of wear, for not only didn't Ye-Me-Le produce any hits ("Wichita Lineman" reached a lowly number 95), but the album is also less enterprising and fresh-sounding than its predecessors. There is a surprising shortage of Brazilian material, which was always Mendes' most valuable contribution in the long run, and more reliance upon routine covers of pop/rock standards like "Easy to Be Hard" and "What the World Needs Now." But there are special moments, like the hypnotic "Masquerade" (no relation to the Leon Russell/George Benson hit), Sergio Mihanovich's haunting "Some Time Ago," and another winning treatment of a Beatles tune, "Norwegian Wood," where Mendes cuts loose a killer solo on electric piano (believe it or not, the 45 rpm single version features more of that solo than the LP).
In 1743, two years before Rameau's Platee, Boismortier created an extraordinarily modern and madcap "comic ballet", Don Quichotte chez la Duchesse. As the exuberant plot unfurls, Cervantes' hero encounters monsters, enchanters, princesses and people from Japan, making for plenty of offbeat and audacious dances and choruses. Musical beauty rubs shoulders with satirical and irreverent comedy. A choice work for Herve Niquet, who leads his Concert Spirituel with unparalleled energy!
Highlights from the screen icon’s music catalogue, featuring a distinctive take on swinging yé-yé and groovy pop-psych, as well as her own Tropezian introspection. The extensive booklet includes exclusive musings from B.B. herself on this brief and brilliant aspect to her career.
Monkey Me is the ninth studio album by French singer-songwriter Mylène Farmer, and her 18th album overall. Preceded by the lead single "À l'ombre", which peaked at number-one in France, the album was released on 3 December 2012. Despite mixed reviews from critics, it entered the French album chart at number one in its first week. The album was certified 3× Platinum within its first month of release in France. The album was supported by the sold-out Timeless tour the following year. Despite its strong sales, the album received mixed reviews from the press. On one hand, many critics welcomed the return of Laurent Boutonnat in the songwriting process;[citation needed] on the other hand, others, for example the magazine 7 sur 7, found the arrangements very dated.