Marka ne me le Dites Pas

Bertrand Betsch - Pas de bras, pas de chocolat (2004)
Chanson/French Songwriter/Acoustic Rock | MP3 | CBR 320 kbps | 50:14 | 130 MB

Avec son titre crypto-humoristique, le coeur du cet album de Bertrand Betsch balance, entre léger bonheur (Temps beau) et permanent fardeau (Le Lundi, c'est maladie, J'ai tout vu), le coupable et l'innocent, bonne foi et mauvaise volonté, beau temps et temps mort. Pas de bras, pas de chocolat se distingue du précédent album du chanteur parisien (le hanté B.B. sides) par une visible envie de joies, un désir de mélodies qui restent en tête, d'arrangements qui égaient (grâce également à son complice le guitariste Hervé Le Dorlot, ainsi que le soutien de Marcus Bell et de Jean-Daniel Glorioso).

Arnold & Hugo de Lantins (1415-1430) - Secular Works - Le Miroir de Musique, Baptiste Romain (2016) {Ricercar}
FLAC (tracks) - 44/16 bits - Digital Download (qobuz) -> 339 Mb | MP3 @320 -> 160 Mb
Artwork (pdf+jpg) -> 15 Mb | 5% repair rar
© 2016 Ricercar / Outhere Music | RIC 365
Classical / Early Music / Medieval / Renaissance

The composers Arnold and Hugo de Lantins were natives of the diocese of Liège, but it was in Italy, principally in Pesaro and Venice that their presence is confirmed between the years of 1420 and 1430. As with the works of Johannes Ciconia, a fellow native of Liège whose time in Italy had preceded theirs, their secular and sacred compositions are preserved in manuscripts copied in Italy. Closely rubbing shoulders with their illustrious contemporary Guillaume Dufay, the Lantins brothers combined archaic traits with the earliest characteristics of the Renaissance. Le Miroir de Musique presents a large selection of French and Italian chansons which enriches our view of the cultural sophistication of the Italian courts at the start of the 15th century.

The motives for leaving a work of music incomplete can be many and they are not always known. Donizetti began working on Le Duc d'Albe in 1839, in view of a staging at the Opéra of Paris. The project, however, was temporarily put aside. Towards the end of 1840, the soprano Rosine Stolz, then the undisputed star of the Opéra, categorically refused to play the role of Hélène in Le Duc d'Albe, which for all intents and purposes marked the demise of the opera. The dispute had even legal consequences, with the impresario of the Opéra, Léon Pillet. Donizetti gradually abandoned the work; then his health deteriorated to the point that he could no longer compose, and the opera was left unfinished, with some parts fully orchestrated and others for which we have no musical indication whatsoever.

Love Me, Please Love Me is the third original album or LP by 1960s British singer Sandie Shaw. It was issued by Pye Records in November 1967, several months after Shaw's triumph in that year's Eurovision Song Contest. The album mainly contains cover versions of songs made popular by other artists, like Michel Polnareff's "Love Me, Please Love Me", though two songs are written by Chris Andrews, who was Shaw's personal songwriter for much of the 1960s.

Love Me, Please Love Me is the third original album or LP by 1960s British singer Sandie Shaw. It was issued by Pye Records in November 1967, several months after Shaw's triumph in that year's Eurovision Song Contest. The album mainly contains cover versions of songs made popular by other artists, like Michel Polnareff's "Love Me, Please Love Me", though two songs are written by Chris Andrews, who was Shaw's personal songwriter for much of the 1960s.

From folk anthems to movie themes and French chanson ballads, 25 songs from one of the great pop culture icons of his time, including three previously unissued tracks.