At an impromptu gathering in 1940, Sergei Rachmaninoff demonstrated at the piano just how he wanted his new orchestral work, Symphonic Dances, to be performed. Rachmaninoff, one of the greatest of all pianists, reduced the orchestral score for a single piano on this occasion. That recording is presented here in two versions: first, edited to conform to the score and again, just as the occasion unfolded, as Rachmaninoff jumped from place to place as he demonstrated.
William Kapell, 1922-1953, is a name that still resonates with pianophiles more than 60 years after his tragic death in an airplane crash near San Francisco. We are pleased to announce a three-CD set of Kapell performances that have never been issued on CD. In fact more than two thirds of the set is previously unpublished in any form. Among the highlights are two 1952 half-hour studio broadcasts from New York's WQXR that have only recently come to light. The set will also include a 1949 performance of Richard Strauss's Burleske, a 1951 performance of Debussy's Suite Bergamasque, and Schumann's Piano Quintet in E-flat with the Fine Arts Quartet dating from the same year. The booklet will include several photos that have not previously been published and an unpublished piece on Kapell by pianist Raymond Lewenthal, 1923-1988.
Rosa Ponselle was arguably this century's greatest soprano. Artists such as Callas and Caruso acknowledged her vocal supremacy. Ponselle's voice had volume, beauty, emotion, sure intonation and remarkable flexibility. Before Rosa Ponselle (1897-1981), there had been no leading American singer who had not first made his or her mark abroad. This two-CD set marks the first volume of her on the air recordings. By Ponselle's own account, her broadcasts captured her true voice and she preferred these performances to her numerous commercial recordings. This set chronicles the Chesterfield broadcasts from 1934-1936 which demonstrate Ponselle at her best.
Rosa Ponselle (1897-1981) was arguably this century's greatest soprano. Artists such as Callas and Caruso acknowledged her vocal supremacy. Ponselle's voice had volume, beauty, emotion, sure intonation and remarkable flexibility. This two-CD set chronicles the second volume of her on the air recordings from 1936-1937. By Ponselle's own account, her broadcasts captured her true voice and she preferred these performances to her numerous commercial recordings. This set has been produced in association with the Rosa Ponselle Foundation and a portion of the sales will go to the Rosa Ponselle Scholarship Fund.
Fiorello Giraud (1868 - 1928) had a highly successful career throughout Italy and parts of South America and was well-respected both in Wagnerian and verismo roles. He will be remembered for creating the role of Canio (Pagliacci). His strong, vibrant voice was first captured on eight very rare G&T records. In 1916 and 1917, he recorded an additional 12 sides for Italian HMV, all song titles. This compilation will include all 20 of his published sides. Giovanni Batista de Negri (1850 - 1923) was particularly associated with the role of Otello, toured throughout Italy, and had a career that was cut short (1896) due to a series of operations for an unmentioned “malady.”
Giacomo Meyerbeer was one of the most important composers in Paris during the mid-1800s. He is considered the founder of the French Grand Opera and his works dominated the French stage. Meyerbeer changed the face of opera in Paris, and yet, much criticism is directed toward him and much of his music is seldom heard today. This 3-CD set is the first of two volumes, which together honor Meyerbeer and reacquaint the listener with his marvelous music and some very interesting singing. These two volumes contain at least one version of every recorded Meyerbeer excerpt sung by French singers.
Richard Strauss’s (1864–1949) acceptance into the pantheon of great Lieder composers began in the early 1950s, perhaps marked by the enthusiastic reception of his Four Last Songs, premiered by Kirsten Flagstad eight months after Strauss’s death. It wasn’t long before these songs became widely performed, and by extension, his Lieder as a whole, began to gain greater acceptance as high art along with Schubert, Schumann, Brahms, and Wolf. This compilation concentrates on Strauss Lieder recordings from an earlier era that display the sort of vocal charm and straightforward approach to the music not usually heard in today’s style of Lieder singing. Many of these recordings are extremely important historic documents retaining their position as the definitive versions of Strauss Lieder. Some of the singers included here not only knew Strauss, but worked with him, and their recordings could have been heard and judged by him. This three CD-set contains forty songs in eighty-two performances by fifty-seven singers.
Colin Marston is an American musician and recording engineer residing in New York City. He runs Menegroth, The Thousand Caves Recording Studio in Queens, New York and has recorded, mixed and mastered artists including Mivos Quartet, Anthony Braxton, Lydia Lunch, Mary Halvorson, Jon Irabagon, Judith Berkson, Oneida/People of the North, Rhys Chatham, Elliott Sharp, Weasel Walter, Peter Evans, John Zorn, Brian Chase, Kid Millions, Mick Barr, M Lamar, Kelly Moran, No Neck Blues Band, Defeated Sanity, Yo La Tengo, Orthrelm, Revenge, Kayo Dot, Jarboe, Origin, Panopticon, Liturgy, Artificial Brain, Pyrrhon, Deiphago and Unearthly Trance as well as his own bands. Marston is a no-less prolific musician and musical innovator. His four most active bands include Behold the Arctopus, Dysrhythmia, Krallice and the 2008 reunion lineup of Gorguts. He is also involved in the more experimental projects Indricothere, Byla, Hathenter, Encenathrakh, Glyptoglossio, Containor, Catatonic Effigy, Mossenek and Overishins.
Feodor Chaliapin (1873-1938) (bass) was in the opinion of many the greatest singing actor of the 20th century. Like Enrico Caruso, the name Chaliapin continued to be a household word long after his death. A case in point is that the Sobranie tobacco company continued to market their “Chaliapin” cigarettes into the 1970s. Producing a Chaliapin set has long been a desire of Marston, yet due to the size of the compilation, the production costs, and the time involved, this project has been pushed to the back burner time and time again. With the financial assistance of some of our generous supporters, we have finally released a thirteen-CD set containing every known recording of Feodor Chaliapin numbering well into the two hundreds.