Massive Attck

A Bristol collective whose combination of dark rhythms, reverb-laden guitars, and atmospheric samples helped pioneer the laid-back sound of trip-hop. Collection includes five studio albums: 'Blue Lines' (1991); 'Protection' (1994); 'Mezzanine' (1998); '100th Window' (2003); 'Heligoland' (2010).

Limited Edition (2 CD + DVD) of "best of" album by Massive Attack. First disc contains the album itself, second cd features additional new tracks, unreleased material, rarities, remixes, including the new single and rare live footage, DVD includes all 11 promo videos to date (2006).

Originally released in April 1991 on the Circa imprint via Virgin Records, Blue Lines was an unprecedented mixture of breakbeats, sampling and live instrumentation with vocal styles ranging from soulful female to gritty rapping. With influences as diverse as soul, punk, reggae, dub, lover s rock, electro and hip hop, Blue Lines was truly groundbreaking, and remains one of the most unique and influential British albums ever made.

The soundtrack was created by Massive Attack. It was released under the name Danny the Dog, in 2004 from EMI. In 2005, Virgin Records re-released the soundtrack under the title Unleashed, with two bonus tracks. Neither version features the song "Aftersun", featuring vocals by Dot Allison, that appears in the end credits of the film. The classical piano solo played in several scenes of the film is Mozart's Piano Sonata No.11 "Andante grazioso".

The proliferation of massive data sets brings with it a series of special computational challenges. This "data avalanche" arises in a wide range of scientific and commercial applications. With advances in computer and information technologies, many of these challenges are beginning to be addressed by diverse inter-disciplinary groups, that indude computer scientists, mathematicians, statisticians and engineers, working in dose cooperation with application domain experts. High profile applications indude astrophysics, bio-technology, demographics, finance, geographi­ cal information systems, government, medicine, telecommunications, the environment and the internet. John R. Tucker of the Board on Mathe­ matical Seiences has stated: "My interest in this problern (Massive Data Sets) isthat I see it as the rnost irnportant cross-cutting problern for the rnathernatical sciences in practical problern solving for the next decade, because it is so pervasive.

MASSIVE is a sonic monster – the ultimate synth for basses and leads. The analog concept belies the contemporary, cutting-edge sound it generates. The high-end engine delivers pure quality, lending an undeniable virtue and character to even the most saturated of sounds. The interface is clearly laid out and easy to use, ensuring you will have MASSIVE generating earth-shuddering sounds from the very first note.

Your comprehensive introduction to Massive Prime has arrived. Head of Crowd/FX TD, Reza Ghobadinic, demonstrates all the key aspects of working with Massive Prime software in this detailed workshop, sharing with you his industry-proven tips and tricks for producing credible crowd simulations suitable for film and TV productions.

Next-generation synthesizer. Rethought, rewired, and reincarnated for the next decade of sound.

Next-generation synthesizer. Rethought, rewired, and reincarnated for the next decade of sound.