Matt Erdepaul Bley

Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.

Bamboo present the first ever reissue of Paul Bley's The Paul Bley Synthesizer Show, originally released in 1971. This stunning album was recorded over three sessions in New York City on December 9th, 1970, January 21st, 1971, and March 9th, 1971. The Paul Bley Synthesizer Show produces new songs and tough translations of previous works from Mr. Joy while joining the likes of other seminal works in 1972's Dual Unity (BAM 7018CD/LP), 1971's Improvisie (BAM 7019CD/LP), and Bley-Peacock Synthesizer Show's Revenge: The Greater The Love, The Bigger The Hate (1971). Featuring the songs of Annette Peacock, this collection sets another milestone in the abstract, free jazz spectrum and joins the above trilogy in celebrating an innovative and iconic figure. A classic piece of Paul Bley's work with synthesized free jazz in the 1970s – an essential release for fans of free jazz, fusion, and progressive music. Includes liners with interviews, background notes, and rare archival photos.

On this unusual album, pianist Paul Bley's 1964 trio (with bassist Gary Peacock and drummer Paul Motian) is joined by tenor-saxophonist John Gilmore during his brief hiatus from Sun Ra's Arkestra. Unissued at the time (five of the eight numbers made their debut on Bley's IAI label), the music is explorative but not as free as one might expect. Best-known among the six Carla Bley originals (which are joined by Paul's "Turns") is the lyrical "Ida Lupino" which is heard in two versions. The music overall is quite stimulating and a bit offbeat, a reflection of Paul Bley's adventurous spirit.