Matteo Manfredini

Matteo da Perugia - Chansons - Tetraktys (2016) {Olive-Et'cetera KTC 1918}
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© 2016 Olive Music / Et'cetera | KTC 1918
Classical / Medieval / Early Renaissance / Early Music

Matteo da Perugia is one of the outstanding composer personalities in Italy at the transition between the late Middle Ages and the early Renaissance. Yet we know little about his life. We do not know the date of his birth, not even the year, nor is it certain whether the suffix “da Perugia” really means that Matteo came from this city. Relatively well documented, however, is his compositional work: all the compositions that are attributable with certainty to Matteo have survived in the same Codex.

Scarlatti’s sonatas are among the most original compositions of the Baroque period, bursting with rhythmic and harmonic invention, contrast and colour. Matteo Mela and Lorenzo Micheli take up this exceptional production and record, on two guitars, twelve of his 555 sonatas. Scarlatti was well acquainted with the instrument, which he heard in Spain and Italy, where it permeated his keyboard compositions. By going back to one of Scarlatti’s most obvious and greater musical sources of inspiration, the two performers underline the eloquence and inexhaustible invention of these rhapsodic miniatures, masterpieces of their composer’s art as a colourist.

As SoloDuo, Matteo Mela and Lorenzo Micheli have performed throughout Europe, Asia, the USA, Canada and Latin America, and have been acclaimed everywhere – from New York’s Carnegie Hall to Seoul’s Sejong Chamber Hall, from Kiev’s Hall of Columns to Vienna’s Konzerthaus – as one of the best ensembles ever heard. About one of their performances, “The Washington Post” wrote: “the duo’s playing was nothing less than rapturous – profound and unforgettable musicianship of the highest order.”