Matthieu Chedid Mama Sam

Suite for Modigliani is a homage to a passion that clarinetist Matteo Pastorino has felt since childhood, his passion for Amedeo Modigliani.

To call West Side Soul one of the great blues albums, one of the key albums (if not the key album) of modern electric blues is all true, but it tends to diminish and academicize Magic Sam's debut album. This is the inevitable side effect of time, when an album that is decades old enters the history books, but this isn't an album that should be preserved in amber, seen only as an important record. Because this is a record that is exploding with life, a record with so much energy, it doesn't sound old. Of course, part of the reason it sounds so modern is because this is the template for most modern blues, whether it comes from Chicago or elsewhere. Magic Sam may not have been the first to blend uptown soul and urban blues, but he was the first to capture not just the passion of soul, but also its subtle elegance, while retaining the firepower of an after-hours blues joint…

The music of the French native, Valencia-based cellist Matthieu Saglio combines influences from all around the Mediterranean, from North Africa to Southern Europe. He first gained international recognition as a member of the trio "NES" and the album "Ahlam" in 2018. Soon after Saglios' solo debut "El Camino de los Vientos" earned huge success, especially in the digital world, and has been played over seven million times on Spotify alone.

Edvard Grieg (1843-1907) was at the forefront of a flourishing of creativity that took place in Scandinavian culture in the late 19th and early 20th centuries, alongside his contemporaries, Nielsen and Sibelius. His imagination was particularly fired by the folk music and stories of his native Norway. His catchy tunes, lively rhythms and haunting musical evocations of the majestic Norwegian landscapes have made Grieg immensely popular with a wide audience.

“Belgian pianist Matthieu Idmtal creates a wonderfully colorful and profound universe that not only surprised me, but even more completely captivated me. His great technical vocabulary leads to an interpretation that combines a refined sound with penetrating expressiveness in a sublime way.” – Opus Klassiek