“Phenomenally good … Dreisig’s voice [is] youthful yet assured, agile yet fluid, and powerful through its entire range … We can certainly expect much more to come from this singer,” wrote BBC Music Magazine in its five-star review of Miroir(s), Elsa Dreisig’s debut album of operatic arias and scenes. It was subsequently nominated for two top awards, Gramophone and Opus Klassik.
Deep in the heart of the Cold War, there was once a miracle in Moscow – Texas-based classical pianist Van Cliburn, of whom no one had heard, conquered at the First Tchaikovsky Competition, an event set aside to showcase Soviet talent. Cliburn was warned by his own government not to go, given the tense political relationship between the United States and Soviet Union at the time, and once he arrived he was greeted as a party crasher, subject to hostile stares and animosity of the kind he had never dreamed of back in Texas. And it was Cliburn, at the end, which brought down the house, and held the award. Back in America, he was greeted with a ticker tape parade and was the subject of a best-selling biography by Abram Chasins, The Van Cliburn Story, copies of which continue to clog the shelves of American thrift stores five decades hence. Ultimately, though, Cliburn's celebrity lost its luster. Nerves, ultra-picky perfectionism, and mishandling by management led to his early retirement from the concert scene; his greatest latter-day achievement being the force behind the Van Cliburn Piano Competition, America's most prestigious such event.
On Friday 3 March, Opera Rara releases Bellini’s first opera Adelson e Salvini, written in 1825 while the composer was still a student at the Naples Conservatory. Marking the company’s third complete opera recording by Bellini, following La straniera and Il Pirata, up and coming bel canto specialist Daniele Rustioni leads the BBC Symphony Orchestra in their fourth collaboration with Opera Rara. Daniela Barcellona sings the role of Nelly and is joined by Enea Scala as Salvini and Simone Alberghini as Lord Adelson.
Maurizo Pollini, the great concert pianist from Milan, is shown in fine form throughout this 13 CD box set "edition" of his previously released recordings on the Deutsche Gramophone label ( celebrating his 30th year with DG ). The performances were selected by the artist himself and so retain a merit absent in some other types of repackaging "schemes".
Maurizio's second CD for Pacific Blues, recorded in Italy with guest artists Sugar Ray Norcia and Mark DuFresne is a rich mix of musical styles and voices. Each of the artists wrote songs especially for this recording, done live in the Gubbio Theater with the same fine musicians as the first CD, with some extra guest players. Blues, R&B flavored ballads and some swinging uptempo songs are the fare. The band and Maurizio's fine guitar mold themselves to each of the singers as if they had been together for years.
Russo-British pianist Yevgeny Sudbin has traversed the Rachmaninov concertos at a deliberate pace, issuing a recording of the Piano Concerto No. 4 in G minor, Op. 40 in 2007 and rounding out the set with this reading of the Second and Third in 2018. His Rachmaninov is carefully wrought, subtly intertwined with the orchestral part rather than trafficking in high contrasts, and here the effect is heightened by Sudbin's unusual interpretation of the opening Moderato of the Piano Concerto No. 2 in C minor, Op. 18.