Max Bill Maillart

Max is a graphical environment for music, audio, and multimedia. In use for over twenty years by performers, composers, artists, scientists, teachers, and students, Max is the way to make your computer do things that reflect your individual ideas and dreams.

Gotcha! is a 1985 American action comedy film, starring Anthony Edwards and Linda Fiorentino and directed by Jeff Kanew, who also directed Edwards in Revenge of the Nerds in 1984.
Jonathan Moore (Edwards) is a shy UCLA veterinary student and the reigning champion at "Gotcha", a campus-wide paintball game. While on vacation in Paris, he is seduced by an older woman, the sexy and mysterious Sasha (Fiorentino) who turns out to be an international spy. When he returns home to Los Angeles, there is a strange canister of film in his backpack and a team of KGB agents on his back. Suddenly he is in the middle of a real life-or-death game of "Gotcha".

The Ableton Live 12 Training available! By J. Anthony Allen, Ableton Certified Trainer and University Professor.

The unique collaboration stemmed from a suggestion by the film’s director Johan Renck, with Richter creating the music for the track before Sparks contributed melody and lyrics to create the melancholic finale to the film’s soundtrack.

The unique collaboration stemmed from a suggestion by the film’s director Johan Renck, with Richter creating the music for the track before Sparks contributed melody and lyrics to create the melancholic finale to the film’s soundtrack.

Advance your rendering skills with this 6 in 1 course pack

Winner of the first prize in the 1976 International Gaudeamus Competition for Performers of Twentieth Century Music held in Holland, Lifchitz has appeared locally as soloist with the Albany Symphony Orchestra, Clifton Park Chamber Orchestra and UAlbany Symphony Orchestra.

Combining classical discipline with the inventive spirit of electronic music, Max Richter speaks to – and frequently critiques – 21st century life with evocative elegance.

Combining classical discipline with the inventive spirit of electronic music, Max Richter speaks to – and frequently critiques – 21st century life with evocative elegance. On early masterworks such as 2002's Memoryhouse and 2003's The Blue Notebooks, the composer and producer united his childhood memories and commentary on war's devastating aftermath into gorgeous, aching music; with 2015's eight-hour Sleep, he challenged the increasing disposability of art and music as well as audiences' ever-decreasing attention spans. Richter's fascination with the growing role of technology in everyday life was a major theme of releases spanning 2008's collection of bespoke ringtones to the music for a particularly paranoid 2016 episode of the TV series Black Mirror. Despite the high-concept nature of much of his work, Richter always maintains a powerful emotional connection with his listeners. 2012's Recomposed: The Four Seasons, an experimental reimagining of Vivaldi's violin concertos, topped classical charts in over 20 countries. The emotive quality of his music translated perfectly to scoring and soundtrack work, which ranged from documentaries such as Waltz with Bashir (2008); feature films including Ad Astra (2019); television series like Invasion (2021); and stage productions including Infra (2008) and Woolf Works (2015), both projects with Richter's longtime collaborator, choreographer Wayne McGregor. Richter's mix of modern composition, electronic music, and field recordings – which he revisited on 2024's In a Landscape – was as influential as it was innovative, paving the way for artists such as Nico Muhly and Jóhann Jóhannsson.

TikTok Shop Gross Merchandise Value Max Beta Ads