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Controversial rap star Eminem makes his acting debut in this hard-edged urban drama, inspired in part by incidents from the musician's own life. Jimmy Smith (Eminem), known to his friends as Rabbit, is a young man trying to make his way out of the burned-out shell of inner-city Detroit. Rabbit's entire life has been a hard climb, and it certainly hasn't gotten any easier lately; Rabbit has just been dumped by his girlfriend, forcing him to move back in with his emotionally unstable mother, Stephanie (Kim Basinger), and he's getting along especially poorly with Stephanie's new boyfriend. Rabbit has a factory job that's tough, demeaning, and doesn't pay especially well, and he's convinced his skills as a rapper are his only real hope at a better life.

Kiseki” (“Locus”) is a welcome surprise. Released to mark the 25th anniversary of Krush’s solo career, it’s his first straight-up rap album, and features an eclectic roster of Japanese MCs. Rino Latina II, who guests on the trap-inflected “Dust Stream,” is an old collaborator from the ’90s, but most of the assembled rappers are considerably younger. They bring an undeniable energy to the proceedings, and Krush responds with some of his grittiest productions since the “Strictly Turntablized” days.

Jean Sibelius - Kullervo
Helsinki Philharmonic Orchestra / Leif Segerstam / Isokoski / Hakala
SACD ISO: 3,78 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 1,30 GB | Full Artwork | 5% Rec. Info
Label/Cat#: Ondine # ODE 1122-5 | Country/Year: Finland 2008
Genre: Classical | Style: Romantic

…There is no doubt in my mind that this Kullervo from Segerstam and his team is exceptionally fine and in the first rank of the ever-growing list of recordings. Spano's deeply thought and excellently performed account would also merit a first ranking. But I find Segerstam to have produced the most psychologically realistic Kullervo performance, thanks to the depth of characterisation uncovered by Hakala and Isokoski in the seemingly unpromising and dificult texts of the Kalevala verses. Segerstam comes close to Berglund's powerful first recording from 1970, which allowed many of us to encounter this unforgettable work. The state-of-the art fidelity of Ondine's engineering is a great advantage in itself. While quintessentially Finnish, Ondine's production nevertheless fulfils Sibelius' intent to make this music universal in appeal. Warmly recommended.