Merissa Meyer

The follow-up album to the highly successful Appalachia Waltz collaboration, Appalachian Journey continues the combination of classical music with Appalachian, bluegrass, and American roots music in general. Yo-Yo Ma, alongside violinist Mark O'Connor and bass player Edgar Meyer, runs through a number of original compositions fusing the traditions, as well as a few old standards from the genre repertoire.

The meeting of great minds usually happens behind closed doors, but for two of the world's foremost bassists – Christian McBride and Edgar Meyer – the collaboration proved so fruitful that a duo album exploring their collective backgrounds in jazz, folk, classical, bluegrass and funk was born.

In 1995, Yo-Yo Ma, Edgar Meyer, and Mark O'Connor joined forces on Appalachia Waltz, the first of a series of Sony Classical albums celebrating the varied musical textures of Americana. Over the course of six years, several albums were cut, among them Short Trip Home, Liberty!, Uncommon Ritual, and Midnight on the Water, in addition to the Grammy-winning Appalachia Waltz. Each project may have had its own specific instrumental focus, although the shared theme was clearly to obfuscate the genre lines that separate classical and traditional American music on a 200-year journey from the concert halls of Britain to the Shenandoah Valley.

Being that Schubert was suffering great mental and physical anguish at the time of his Octet’s completion in 1824, it’s surprising that the work is so sunny and optimistic. At a little over an hour, it’s the Austrian composer’s longest chamber work—and his most inspired. With just eight instruments, Schubert crafts an opening movement on the scale of a Beethoven symphony, ideas ricocheting between strings and woodwind, bass and treble. The “Adagio” is a sublime song for clarinet that rivals Mozart for its understated beauty while an ebullient central scherzo, stately variations, and suave minuetto culminate in a finale of intense drama that seems to glance toward Wagner. It’s all stunningly recorded and performed, too—a benchmark performance full of wit, passion, and charm.

This is one of the best clarinet/flute concertos (concerti) recorded with Pleyel’s compositions. Pleyel demanded “virtuosic brilliance” and so the performers must be at the top of their game to play his works. Paul Meyer is known for a wide repertory and an interest in modern works for clarinet. He began studying clarinet as a child and made his solo debut with the Symphony Orchestra of the Rhine at the age of 13.

Bassist Edgar Meyer, equally at home in Nashville or Lincoln Center, likes to invite his classical friends to mix with his country friends in performances of his hybrid brand of bluegrass chamber music. In SHORT TRIP HOME, he has assembled a team long on bow arms. Featured are guitarist Mike Marshall and mandolin player Sam Bush, both of whom double on fiddle, and star violinist Joshua Bell, the name above the title, who not only fits well into the proceedings, but soars right above them when the occasion calls for it.