Merrill

Although Helen Merrill is often thought of as a singer from the 1950s (when she made her initial reputation), she has stayed aware of more recent developments in jazz. On this superior CD, Merrill is accompanied by pianist Roger Kellaway, bassist Red Mitchell and drummer Terry Clarke; three songs add trumpeter Tom Harrell, while two others have Wayne Shorter on tenor or soprano. Whether performing veteran standards (such as "When I Grow Too Old to Dream" and "Some of These Days") or more modern pieces, Merrill's haunting voice and her all-star sidemen uplift and revitalize the material. A consistently memorable set full of subtle surprises.

Although Helen Merrill is often thought of as a singer from the 1950s (when she made her initial reputation), she has stayed aware of more recent developments in jazz. On this superior CD, Merrill is accompanied by pianist Roger Kellaway, bassist Red Mitchell and drummer Terry Clarke; three songs add trumpeter Tom Harrell, while two others have Wayne Shorter on tenor or soprano. Whether performing veteran standards (such as "When I Grow Too Old to Dream" and "Some of These Days") or more modern pieces, Merrill's haunting voice and her all-star sidemen uplift and revitalize the material. A consistently memorable set full of subtle surprises.

In 1956, a year before Miles Ahead, singer Helen Merrill hired the nearly forgotten arranger Gil Evans to write charts for a dozen songs on one of her record dates. In 1987, they had a reunion, and 11 of the 12 numbers (with "Summertime" taking the place of "You're Lucky to Me") were recorded again. Rather than just a re-creation album, this project found Evans writing fresh arrangements, utilizing three very different ten-pieces: one with a woodwind quintet, another with six horns, and a third that included five strings. This inspired outing, one of the most rewarding sets of Helen Merrill's later years, was also one of Evans' last great dates and one of his few post-1972 classics. 57 at the time, Merrill is in superb form on such numbers as "Where Flamingos Fly," "A New Town Is a Blue Town," "By Myself" and "Anyplace I Hang My Hat Is Home."

Helen Merrill is in top form throughout this 1980 session, backed by pianist Torrie Zito's thoughtful arrangements. Merrill, who improvises like a member of the band, always knows the possibilities within each song she performs and finds a way to make it her own. A good part of the CD includes bossa nova tunes, highlighted by her deliberate lyrical treatment of "Wave" in which Zito is her sole accompanist. Her silken voice is wrapped in strings for the lush takes of "So Many Stars" and "Like a Lover," with Bucky Pizzarelli providing the perfect touch on guitar. "Natural Sounds" is an unjust obscurity, a touching ballad sung by Barbra Streisand in the mid-'60s on a live album, though Merrill handles it with far more finesse. There are also enjoyable renditions of standards like "Too Marvelous for Words" and "Close Enough for Love."

Veteran singer Helen Merrill is greatly assisted on this fine set by the warm tenor of Stan Getz, who was always a perfect choice for accompanying vocalists. With pianist Joachim Kuhn (replaced by Torrie Zito on three of the nine songs), bassist Jean-Francois Jenny-Clark and drummer Daniel Humair completing the group, Merrill sounds quite inspired on such selections as "Just Friends," "It Don't Mean a Thing," "Yesterdays" and even "It's Not Easy Being Green."