Miaskovsky Symphonies
Vladimir Fedoseyev, USSR Radio & TV Symphony Orchestra - Eshpai: Symphonies Nos 4 & 5 (1994) (Repost) Music
Posted by Domestos at Sept. 25, 2017
Vladimir Fedoseyev, USSR Radio & TV Symphony Orchestra - Eshpai: Symphonies Nos 4 & 5 (1994)
EAC Rip | FLAC (image+.cue, log) ~ 301.11 Mb | 62:20 | Scans included
Symphony | Label: Russian Disc (RD CD 11 051)
EAC Rip | FLAC (image+.cue, log) ~ 301.11 Mb | 62:20 | Scans included
Symphony | Label: Russian Disc (RD CD 11 051)
Andrei Eshpai was born in Kosmodemhansk 15 May 1925. He was educated at the Moscow Conservatory from 1948-1953 (piano under Sofronitsky; composition under Rakov, Miaskovsky and Golubev). Postgraduate study under Aram Khachaturian from 1953-1956. His musical expressive means are very unusual due to his usage of the folklore of his native Mari people. Typically his colourful orchestral sound seems to distill the essence of the natural world of the far north. He uses syncopated rhythms; his rhythms seem to be related to the music of Bartok. He uses often alternations of ostinato-tuttis and rhythmic shifts from folklore music.
Carpe Diem String Quartet - Sergey Ivanovich Taneyev: Complete String Quartets Vol. 4 (2015) Music
Posted by Designol at July 13, 2019
Carpe Diem String Quartet - Sergey Taneyev: String Quartets Nos. 9 and 6 (2015)
EAC | FLAC | Image (Cue&Log) ~ 291 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.573470 | Time: 01:05:39
EAC | FLAC | Image (Cue&Log) ~ 291 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.573470 | Time: 01:05:39
A pupil of Tchaikovsky, who called him the ‘Russian Bach’, Sergey Taneyev is best known today for his four symphonies, although he also composed a sizeable body of chamber music, including nine complete String Quartets. Quartet No. 9 is a memorably melodic work, while the beautifully crafted Quartet No. 6, his last completed quartet, is rather more austere, though marked by a playful Jig, and even more masterful in construction.
Georgi Badev, Dina Schneidermann, Ventseslav Nikolov - Pancho Vladigerov: String Concertos (2021) Music
Posted by ArlegZ at Aug. 31, 2022
Georgi Badev, Dina Schneidermann, Ventseslav Nikolov; Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov - Pancho Vladigerov: String Concertos (2021)
EAC | FLAC | Image (Cue & Log) ~ 686 Mb | Total time: 66:40 | Scans included
Classical | Label: Capriccio | # C8064 | Recorded: 1970-1975
EAC | FLAC | Image (Cue & Log) ~ 686 Mb | Total time: 66:40 | Scans included
Classical | Label: Capriccio | # C8064 | Recorded: 1970-1975
This is the third volume in Capriccio’s 18-disc Pancho Vladigerov Edition. After multi-disc sets that introduced his piano concertos and symphonies this one turns to his concertos for stringed instruments. These powerfully unreticent recordings were conducted by Alexander Vladigerov and by the composer (Bulgarian Dances) with the Bulgarian Chamber Orchestra and Bulgarian National Radio Symphony Orchestra. As with the previous two sets, the recordings were produced in the 1970s in Bulgaria. The violin soloists are Georgi Badev, Dina Schneidermann and Emil Karmilarov and two cello works are led by Ventseslav Nikolov.
Riccardo Muti, The Philadelphia Orchestra - Scriabin: Symphony No. 2; Tchaikovsky: Hamlet (1990) Music
Posted by ArlegZ at Jan. 9, 2023
Riccardo Muti, The Philadelphia Orchestra - Scriabin: Symphony No. 2; Tchaikovsky: Hamlet (1990)
EAC | FLAC | Image (Cue & Log) ~ 301 Mb | Total time: 66:58 | Scans included
Classical | Label: EMI | # CDC 7 49859 2 | Recorded: 1989
EAC | FLAC | Image (Cue & Log) ~ 301 Mb | Total time: 66:58 | Scans included
Classical | Label: EMI | # CDC 7 49859 2 | Recorded: 1989
The five movement Second Symphony is gloomily introspective but Muti again propels it along. There are some Rachmaninov-like moments in the allegro and wistfulness in the andante. Much of the doom carries over from the Manfred / Francesca tribute from Tchaikovsky and ploughs inexorably forward in the earlier symphonies of Miaskovsky. The Maestoso has a straining grandeur which takes a little from Glazunov - say in the finale of the Eighth symphony.