Michael O'shea

The Best of Michael Franks: A Backward Glance is a good 15-track collection that is equally divided between soft rock like "Popsicle Toes" and smooth jazz. Any curious listener looking for a one-stop introduction to Franks would be well served with this collection. Among the highlights are "The Lady Wants to Know," "Antonio's Song," "When the Cookie Jar Is Empty," "Tiger in the Rain," "Baseball," "Your Secret's Safe with Me," "When I Give My Love to You," "The Art of Love," "Soul Mate," and "Hourglass".

The Essential Michael Jackson is a greatest hits compilation album by American singer Michael Jackson. It was released on July 19, 2005, by Sony Music's catalog division Legacy Recordings as part of The Essential series. The two-disc compilation features thirty-eight hit songs by Michael Jackson, from his days at Motown Records with The Jackson 5 in the late 1960s and early 1970s to his 2001 hit "You Rock My World". On August 26, 2008, The Essential Michael Jackson 3.0 was released in the US as a limited edition containing an additional disc of seven songs performed by Jackson. A re-titled release in the UK was planned on July 6, 2009 as The Hits, but was cancelled upon Jackson's death. As of 2018, the album was certified 4× platinum in the US.

Michael released "Dragonfly Summer after a three year hiatus. What a wonderful return. The opener "Coming To Life" is an upbeat tune where Michael seems like he's singing about the start of this album itself. All of the songs are winners, I sometimes wonder what the outtakes are like, given the overall quality of the songs here. "Soul Mate" not only turned me on to Jeff Lorber, but also introduced me to Eric Benet, he's singing the harmony vocal. Not only is Michael talented, but the people he surrounds himself with, wow! The title track is fun, "Monk's New Tune" is about as late night jazz as Michael gets. "I Love Lucy" is that "I Love Lucy," the only cover Michael has recorded, save for a couple Christmas songs. The song is transformed from a Cuban lounge style to a romantic Brazilian influenced love song, the orchestration is glorious. "Practice Makes Perfect" is fun, "String Of Pearls" is a beautiful song, moving at a nice tempo featuring accoustic guitar and a woodwind solo.

In 1969 British singer/songwriter Michael Chapman took the U.K.'s folk-rock world by surprise with his debut album, Rainmaker, on the Harvest label. In an era when each week garnered a new surprise in the music world, gathering serious and widespread critical acclaim wasn't easy, and finding a buying public near impossible. Rainmaker showcases a new talent who holds nothing back for himself. Every songwriting principle and trick, killer guitar riff, and songwriting hook in his bag makes an appearance here (something he would never do again). As a result, there are several truly striking things about the album that makes it stand out from the rest of the Brit folk-rock slog from the late '60s. One of them is Chapman's guitar playing.

After the critical acclaim Michael Chapman received for Rainmaker in 1969, he followed up quickly in early 1970 with Fully Qualified Survivor, a record more adventurous and haunting than its predecessor, with added production flourishes and equally strong songs. Fully Qualified Survivor is the album that established Chapman as a folk troubadour. Leaving the guitar pyrotechnics largely locked in a shed, Chapman concentrated instead on his songwriting skills, and the sacrifice—for this record anyway—paid off. Leaving the lead guitar credits to a fellow Hull-man, Mick Ronson (who got his gig with David Bowie as a result of his playing on this album), with Rick Kemp making a return as bassist and Barry Morgan on drums, Chapman relied on no less than Paul Buckmaster—then beginning to work with Elton John, among others—to employ and arrange a small string section to fill out the songs.

After his debut on the tiny Brut Records (a short-lived record label of the famous cologne company), Michael Franks established both his unique sound and a recording process he has continued throughout his career. Primarily a jazz artist, Franks crossed over to pop and rock fans through heavy FM airplay beginning with The Art of Tea. Sensually suggestive and playful tracks, such as "Popsicle Toes" and "Eggplant" contain sly wordplay and almost Henry Mancini-like, breezy jazz-pop. Employing a similar approach as Steely Dan did with its music, Franks' singing and songwriting formed the basis of a sound rooted in the support of top-notch musicians, many of whom were the hottest studio jazz players on the scene. Here, the killer rhythm section of drummer John Guerin and bassist Wilton Felder is augmented by horn pros Michael Brecker and David Sanborn, with Franks and Larry Carlton handling all the guitar work. This winning combination of players, styles, singing, and songwriting would be reshuffled and refined over the years, but perhaps with no finer results than on this official major label debut.