Micheal James Pippa

On An Evening with John Patitucci & Andy James, two gifted performers join forces to conjure an intimate evening of captivating music. At a time when jazz aficionados around the world have been starved for musical experiences, the album recreates the sultry atmosphere of a candlelight nightclub as some of the most revered musicians in modern jazz perform classic standards.

With the confusing plethora of Elmore James discs out on the market, this is truly the place to start, featuring the best of his work culled from several labels. Highlights include James' original recording of "Dust My Broom," "It Hurts Me Too," "T.V. Mama" (with Elmore backing Big Joe Turner), and the title track, one of the best slow blues ever created. Slide guitar doesn't get much better than this, making this particular compilation not only a perfect introduction to Elmore's music, but an essential piece for any blues collection.

This is a disc made by one of the best piano players to come out of New Orleans, James Booker, playing with an all-star band of New Orleans musicians, most of whom Booker befriended during his days with Dr. John. The music sparkles, all the more amazing because it was recorded live in the L.A. area with no overdubs in 1973, and is just being released in 1995 because it was lost for 20 years. This disc hits a groove and does not quit, shifting from straight-ahead blues to an R&B beat, drifting into some complex Caribbean rhythms, moving off into some jazz riffs, but all the time maintaining the original blues feel it started with. All the players get to shine, but it is definitely James Booker's disc.

The various white lead guitar gods who began to garner so much critical press during the rock explosion of the late '60s owe more than a lot to Elmore James. While working as a radio repairman in the early '50s, James spent hours rewiring speakers and amplifiers so that they would deliver the kind of harsh and distorted sound he favored when he played electric guitar through them, and that act of rebuilding amps alone would have made him an unsung hero to rock guitarists everywhere a decade or so later, but James also happened to be a pretty damn good player himself, and there may well not be a more powerful and exciting sound on Earth than James' trademark "Dust My Broom" slide guitar riff, which bottled megawatts of power, energy, and passion into one swooping rush…

SOMM Recordings announces the third and final volume of the enthusiastically received One Hundred Years of British Song, with tenor James Gilchrist and pianist Nathan Williamson. Focusing on songs written since 1950, Volume 3 celebrates what Williamson’s booklet note describes as “astonishment at the depth of expressivity of the poetry and music”.