Michelangeli

A tribute to Arturo Benedetti Michelangeli, a veritable mythic and unpredictable Italian pianist,; a perfectionist with a carefully chosen repertory in which Scarlatti's works joined those of Debussy and Ravel, while the great German romantics, from Beethoven to Brahms, were magnified and exalted, showing the soundness of their construction. The number of his recordings is limited, with mostly works by Debussy and Ravel and a few by Beethoven. He used to buy pirate live discs of his concerts as presents for his friends instead of his 'official' recordings! Here is a French anthology collecting legendary renderings of his inimitable touch easy to recognise by its ductile nature and the purity of his style. A revived masterpiece.

If you take it for granted that Arturo Benedetti Michelangeli was the greatest pianist of the twentieth century and that his performances of Beethoven's "Emperor" Concerto were the greatest of the twentieth century, then you'll probably want to pick up this disc containing Michelangeli's fabled May 29, 1957, performance in Prague with Vaclav Smetacek and the Prague Symphony Orchestra. Although Smetacek is not the deepest, the greatest, or the most sympathetic accompanist Michelangeli ever had, and although the Prague players are not always quite on their best behavior, Michelangeli is as he always is in this work: absolutely definite.

L’Equivoco stravagante (the curious misunderstanding) was Rossini’s first attempt at writing a two act opera. The plot is based around three characters; Ermanno, Ernestina and Buralicchio. Ermanno, who’s young and poor, loves Ernestina the daughter of Gamberotto, a wealthy farmer. However, Ernestina and her father have their eyes on Buralicchio, a young upstart who has more money than sense. To get his competition out of the way, Ermanno and a few servants hatch a plot to convince Buralicchio that Ernestina is actually a castrato, and worse, an army deserter. Ernestina is arrested, but eventually freed by Ermanno whom she then marries.

Arturo Benedetti Michelangeli (1920-1995) mastered the art of being elusive. During his long career the legendary Italian pianist’s forays into the recording studio were few and far between. The concerts and broadcast performances he didn’t cancel, though, sometimes found their way onto pirated discs. This allowed pianophiles to gain a fuller dimension of their puzzling, ultra-perfectionist hero.

The plot of La cambiale di matrimonie, which Rossini composed when he was just eighteen years old, revolves around the farcical attempts of Tobia Mill, a rich English merchant, to combine business with pleasure by forcing this daughter, the lovely Fanny (“the merchandise”) to marry Slook, his rich colonial correspondent from America, by means of a bill of exchange. Eventually, it is the gallant Slook himself who persuades Mill to allow Fanny to marry her true love, Edoardo Milfort. This Rossini Opera Festival—Pesaro production features two well-established singers, Désirée Rancatore and Saimir Pirgu, who are joined by three promising young singers: Fabio Maria Capitanucci, Enrico Maria Marabellie and Maria Gortsevskaya.

The legendary Italian pianist Arturo Benedetti Michelangeli (1920 - 1995), playing at the height of his powers, performs two Beethoven sonatas in an historic recording now digitally restored and re-mastered. He also plays earlier sonatas by Scarlatti and Galuppi. Michelangeli's fine control and perfect clarity - always present in his playing - have positioned him as one of the most outstanding recording artists of any generation.

Im Nachgang des 100. Geburtstags von Arturo Benedetti Michelangeli veröffentlicht Deutsche Grammophon einen Meilenstein seines Katalogs: die Aufnahmen der Debussy-Zyklen Images, Préludes und Children’s Corner wurden bereits von Zeitgenossen als überragend empfunden und haben auch heute nichts von ihrer Faszination eingebüßt. Michelangelis Debussy sei “die stärkste, farbigste, musikalisch und poetisch beste Debussy-Interpretation, die ein Pianist hervorgebracht hat” (Gramophone).

Considered one of the greatest pianists of the 20th century, Arturo Benedetti Michelangeli (1920-1995) nevertheless left only a small body of recordings due to his perfectionism. Nor did he give live concerts often, frequently canceling them at the last minute for flimsy reasons. Still, his playing was prized for its clarity, directness, and unique interpretations.

These recordings were unearthed from the BBC archives. All the restoration work has been done from the original analog tapes. The works presented here are from a historic session in the London studios on June 30, 1959.