Miguel Lopez Prado

José Miguel Moreno - The Spanish Guitar [12CDs] (2019)  Music

Posted by ArlegZ at July 4, 2020
José Miguel Moreno - The Spanish Guitar [12CDs] (2019)

José Miguel Moreno - The Spanish Guitar [12CDs] (2019)
EAC | FLAC | Image (Cue & Log) ~ 2,94 Gb | Total time: 13:10:00 | Scans included
Classical | Label: Glossa | # GCD 920114 | Recorded: 1991-2004

With a capaciously-filled boxset of a dozen CDs made up of attractive individual programmes and entitled The Spanish Guitar, Glossa reintroduces the superb playing of José Miguel Moreno. And with recordings from 1991-2004 which still sound fresh and vivid today. A new essay and all the sung texts are included in the physical booklet that completes this limited-edition set.

Harold Lopez-Nussa - Canciones (2007) {Colibri}  Music

Posted by tiburon at Feb. 23, 2017
Harold Lopez-Nussa - Canciones (2007) {Colibri}

Harold Lopez-Nussa - Canciones (2007) {Colibri}
EAC 0.99pb4 | FLAC tracks level 5 | Cue+Log+M3U | Full Scans 300dpi | 227MB + 5% Recovery
Genre: Latin Jazz, Post-Bop

Move over Valdes's and Rubalcaba's. There's a new royal family of Cuban musicians in the works. Here's a stunning Latin jazz release by Cuban pianist extraordinaire Harold Lopez-Nussa, nephew of acclaimed pianist Ernan Lopez-Nussa. Lopez-Nussa performs material from Jobim, Miguel Matamoros, Pablo Milanes, Santiago Felu, Cesar Portillo, Silvio Rodriguez, Cervantes and others. With Ruy Adrian Lopez-Nussa (a brother), Nestor G. Del Prado Fernandez, Yandy Martinez Gonzalez, guests Ernan Lopez-Nussa, Yaroldy Abreu and many others.

Joaquín Rodrigo Edition [21 CDs] (2013)  Music

Posted by ArlegZ at Nov. 19, 2023
Joaquín Rodrigo Edition [21 CDs] (2013)

Joaquín Rodrigo Edition [21 CDs] (2013)
EAC | FLAC | Image (Cue & Log) ~ 4,90 Gb | Total time: 23h 02' 01'' | Scans included
Classical | Label: Brilliant Classics | # 9297 | Recorded: 1960, 1980-2007

On this, the largest set ever compiled of one of the last century's most popular composers, we may not only renew our familiarity with the Concierto de Aranjuez, or perhaps with one of the other ever-melodious guitar concertos that sustain his reputation with audiences, but also discover chamber, instrumental, choral and especially vocal works which testify to a creative imagination confident in the formation of its style but never satisfied with repetition, one which responded directly to poetic and lyric inspiration, and transformed its ideas with unfailing skill and respect for the idiom under consideration.