Although it features the beautiful recorder of Leslie Penny and the Chieftains' Paddy Maloney playing the uilean pipe, Ommadawn didn't gain Mike Oldfield the success he was looking for. The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album…
Jazz at Greville Lodge vol.2 features pianist Mike Carr and guitarist Jim Mullen. Live recording from November 2009. Mike Carr (b. 1937), jazz pianist and organist, established his reputation on the London jazz scene working with such heavyweights as Dizzy Gillespie, Coleman Hawkins, Johnny Griffin, Illinois Jacquet and Art Farmer. "l've never heard an organist who has all that swinging“ commented Oscar Peterson. Carr is a prolific musician who released numerous highly acclaimed albums. Jim Mullen (b. 1945) is a truly original voice in contemporary jazz guitar, who has won many British music awards including ,,Best Guitar“ in the BT Jazz Awards in 1994, 1996 and 2000. With many recordings to his credit, Mullen has recently recorded as a member of The All Stars Collective on the Paul McCartney-produced album All About The Music.
Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears.
Following a long-established production pattern, Mike Oldfield assembled some relatively simple pop- and rock-flavored numbers following one long introductory piece on his 1983 Disky release, Crisis. The 20-minute opening title-track is a quintessential Oldfield texture study that consists of sparkling synth washes with edgier material weaving in and out…
Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears.
Mike Richmond has expressed his love of music on a global level. In addition to accompanying such stellar jazz musicians as Miles Davis and Stan Getz and folk/blues singer/songwriter Richie Havens, the Philadelphia-born bass player has performed in concert with Indian sitar player Ravi Shankar and the South Indian Orchestra and has served as chief instructor for the National German Jazz Orchestra. Initially a guitar player, Richmond was inspired by a Bill Haley and the Comets show that he attended with his parents in the mid-'50s. He switched to the bass after joining his high school orchestra. Richmond's understanding of world music developed at an early age. His mother frequently played Middle Eastern records in the family home…