Mike Odlfield Hergest

The sturdiness of the blues tradition will support any band with decent chops and good instincts and make it sound good, but only the rarest bands overcome the weight of that same tradition to make music original enough for greatness. The Dallas quartet Mike Morgan & the Crawl is the perfect example of a bar band that serves the blues legacy honorably without ever adding much to it. Ain't Worried No More includes 9 songs by guitarist Morgan among its 13 tracks, but these represent a reshuffling of old materials rather than anything personal enough to be forever associated with its composer. Morgan, who wears a pirate patch over his right eye, is not a singer; he leaves that to his longtime partner and harmonica soloist Lee McBee, whose gruff and soulful baritone never distracts from the band's groove…

Legendary guitarist Mike Stern has been celebrated for his versatile playing style since he first hit the scene in the 1970s, transcending genre by performing with Blood, Sweat & Tears, Miles Davis, Jaco Pastorius, The Brecker Brothers, David Sanborn, Béla Fleck, Yellowjackets and more. With Echoes and Other Songs, Stern brings together an all-star group of musicians (including Chris Potter, Jim Beard, Christian McBride, Antonio Sanchez, Richard Bona & Dennis Chambers) for 11 brand-new originals that will captivate and unite guitar and jazz fans of all generations.

Gulf Coast Records' Blues Music Award-Winners Mike Zito and Albert Castiglia bond as Blood Brothers on new CD coming early 2023. Blood Brothers was produced by Joe Bonamassa and Josh Smith and recorded at Dockside Studio in Maurice, Louisiana.

Mike Patton and renowned French composer Jean-Claude Vannier, who is perhaps best known for his work with Serge Gainsbourg, have come together on the 12-song album, Corpse Flower.

This reissue British artist Mike Cooper's two excellent albums, originally released in 1970 and 1971, respectively; his departure from folk-blues is evident on these two documents. His diversity is one of the most striking traits of his work, considering that Cooper has worked in free improvisation, avant-garde, Hawaiian guitar music, and – much later in the '90s – even drum'n'bass-inflected electronica. As a British folk-blues artist of the '60s, obvious comparisons to Bert Jansch and John Renbourn abound. Like many of his contemporaries of that movement, he progressed to a folk-rock singer/songwriter mode by 1971 and gave listeners Places I Know, which is rooted in the tradition of Tim Buckley, Jackson Browne, and Randy Newman's sophistication with the form.

This reissue British artist Mike Cooper's two excellent albums, originally released in 1970 and 1971, respectively; his departure from folk-blues is evident on these two documents. His diversity is one of the most striking traits of his work, considering that Cooper has worked in free improvisation, avant-garde, Hawaiian guitar music, and – much later in the '90s – even drum'n'bass-inflected electronica. As a British folk-blues artist of the '60s, obvious comparisons to Bert Jansch and John Renbourn abound. Like many of his contemporaries of that movement, he progressed to a folk-rock singer/songwriter mode by 1971 and gave listeners Places I Know, which is rooted in the tradition of Tim Buckley, Jackson Browne, and Randy Newman's sophistication with the form.

The music of Herbie Hancock has affected the lives of generations of jazz performers. Like many of these musicians, it was the opportunity to play with the great pianist/composer that introduced the great drummer Mike Clark to the jazz world at large. To show his appreciation, Clark presents a selection of his favorite Hancock pieces performed with a trio on his new recording, Mike Clark Plays Herbie Hancock.