Mike Odlfield Hergest

Connecticut-born / New York-based Mike LeDonne, who divides his time these days between piano and organ, has begun to record more frequently on the Hammond B3, especially with his suitably named Groover Quartet which, according to Owen Cordle's liner notes to Keep the Faith, has been together now for more than a decade. And that's a good thing, as these gentlemen certainly know how to groove, and do so with abandon on an album recorded roughly a year after the quartet's well-received The Groover.

With all of its members exercising their expertise, the debut album from Mike + the Mechanics posted two Top Ten singles in the span of three months. The songwriting comes out on top before anything else, with the somber stir of "Silent Running," the record's first release, peaking at number six. "All I Need Is a Miracle" followed at number five, with its Genesis-like tempo and polished chorus, and even "Taken In" cracked the Top 40, a simple ballad that's bettered by Paul Young's genuine emotional charm. Carrack sounds just as sharp as he did with Ace or Squeeze throughout the album's nine tracks, while Rutherford's overseeing of the entire project is apparent. While Mike Rutherford's guitar work isn't overwhelming, both his six-string and bass guitar contributions complete a sound foundation for the vocals…

Six of New York City's heaviest hitters convene at the legendary Rudy Van Gelder studios and presents music built to tickle your mind, hit you in the heart & get your feet tappin with nine tracks written by pianist Mike LeDonne and tenor sax player Eric Alexander.

This album is simply exceptional. You get a hearty dose of a musical genius's compositional skills and vocabulary, but you don't come away feeling as though you were "taken to school"; the music is very accessible…

Morgan's seventh album for the Black Top imprint brings some new and welcome twists to the mix. First is the production chores being handled by label head Hammond Scott. Second is the return of harmonica ace/vocalist Lee McBee after a three-year hiatus from the lineup to pursue a solo career. The third notable feature is the abundance of fine original material. Rather than a set of bandstand ready-mades, you can tell some time and work went into the production of this album. McBee's harp work is as strident as ever, and Morgan's guitar still maintains its blazing Texas fury, but framing it with a horn section here and there, Riley Osborne on piano and Hammond B-3 organ and Rhandy Simmons subbing on bass for six of the 11 tracks keeps this album from ever getting samey or predictable. Particularly noteworthy are "Bad Luck and Trouble," "You're Gonna Miss Me" and the title track.

External Combustion – the second album and first as band leader of the Dirty Knobs – is proof that lightning can strike twice. His first record, Wreckless Abandon, was released in November 2020 to a great reception, gaining attention from Broken Record, Vulture, WTF with Marc Maron podcast, LA Times, Rolling Stone, American Songwriter, Billboard and many more. The Dirty Knobs made External Combustion in three weeks over the summer of 2021, and "The band became this spontaneous type of combustion”, Campbell recalled, recounting how the band became more intuitive the longer they played. Campbell claims he was never offered a solo deal in his four decades with Tom Petty and the Heartbreakers, despite also writing and producing for artists like Roy Orbison and Don Henley. "I wouldn't have known what to do with it," he adds quickly. "I was Tom's partner. Lyrics and singing – he could always do it much better. But I was writing and recording more music than Tom could deal with. That's when I got the Dirty Knobs, which gave me a chance to try singing. So I started woodshedding. And then when my life changed (with Petty's death in October 2017) it was, 'Time to do this now.'"