Mike Render Monster

Zito's 16th album is descriptively titled Rock N Roll: A Tribute to Chuck Berry. This release finds him broadening his boundaries still further even as it marks a return to his roots. The album consists of 20 Chuck Berry classics performed by Zito and an impressive array of 21 guest guitarists, among them Joe Bonamassa, Walter Trout, Eric Gales, Robben Ford, Richard Fortus, Sonny Landreth, Luther Dickinson, Albert Castiglia, Anders Osborne, and, significantly, Chuck's grandson, Charlie Berry III.

The new disc from multi-Blues Music Award-winner Mike Zito, 'Life Is Hard' was recorded in September at Sunset Sound Studios in Hollywood, California, with Joe Bonamassa and Josh Smith producing (and guesting on guitars). 'Life Is Hard' is a complete work of art for me," says Mike Zito about the new disc. "I believe this is the best album I've ever made in my life. My wife Laura and I planned this idea of pouring my heart out in music after her death from cancer. Joe, Josh and the incredible musicians were fully aware of the task at hand. They brought a lot of emotion to the music. I am so proud of this album and I know Laura would be proud as well."

The live attempts at recreating the seminal jam chemistry of Super Session were hit-and-miss affairs, and this one, previously unreleased, has its fair share of off-key and off-target tunes. The rhythm section is erratic, the repertoire–ranging from Simon & Garfunkel's "59th Street Bridge Song (Feelin' Groovy)" to an Elvis-flavored "That's All Right Mama"–is a bit odd, and co-leader Al Kooper is competent but rarely inspired. Guitarist Michael Bloomfield, however, is uniformly brilliant and his graceful blues virtuosity is by itself well worth the price of admission. Bloomfield and the group are joined on B.B. King's "It's My Own Fault" by a then-unknown Johnny Winter and things get really interesting.

Following a long-established production pattern, Mike Oldfield assembled some relatively simple pop- and rock-flavored numbers following one long introductory piece on his 1983 Disky release, Crisis. The 20-minute opening title-track is a quintessential Oldfield texture study that consists of sparkling synth washes with edgier material weaving in and out…

Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece…