Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue possess such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace – each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz – tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band – Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb – one of the greatest in history, playing at the peak of its power.
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz – an accepted work of greatness that's innovative and entertaining…
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz – an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence…
Kind of Blue was trumpeter Miles Davis’ all-time best seller and one of the most (if not the very most) revered albums in jazz history. In this book, renowned Penguin Guide to Jazz and BBC writer Brian Morton explores the making of this iconic jazz masterpiece.
The book is fully illustrated with classic, rare and never before published photos by such important jazz photographers as Jean-Pierre Leloir, Dennis Stock, Robert W. Kelley, Herb Snitzer, Marvin Koner, and David Redfern, among others.
Also included inside is the CD Kind of Blue in its entirety, plus 4 bonus tracks.
A monumental innovator, icon, and maverick, trumpeter Miles Davis helped define the course of jazz as well as popular culture in the 20th century, bridging the gap between bebop, modal music, funk, and fusion.
Avid Jazz continues with its Three Classic Albums plus series with a re-mastered 2CD release from Miles Davis complete with original artwork, liner notes and personnel details. "'Round About Midnight", "Milestones", "Kind Of Blue" and plus two live versions of "So What".
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous ‘Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.
Milestones has been restored to mono for the first time as to expose the record’s standing as one of the all-time great jazz efforts…
With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge - slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices. Its greatest triumph is that it masks this adventurousness within music that is warm and accessible - it just never acts that way. No matter how accessible this is, what's so utterly brilliant about it is that the group never brings it forth to the audience…