A well-sequenced set of nine ballads done by various incarnations of Miles Davis groups for Columbia Records between 1956 and 1984, this compilation is a wonderful listen but pieces like "Flamenco Sketches" and "I Loves You, Porgy," for instance, really need to be heard in their original settings to be truly appreciated…
That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975.
Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Winner of eight Grammy awards…
In July 1956, Miles Davis returned to his hometown for a two-night stint at the infamous Peacock Alley in Gaslight Square. Along for the ride, were four more of the greatest jazz musicians ever, especially when taken as a whole. Nearly fifty years later, the gaslights are gone and Saint Louis locals still don't know what hit them. Peacock Alley 1956 is a CD reissue of the original AM radio broadcast. Never heard of it? That's due to ambiguous legal concerns. Miles signed exclusive contracts, making widespread marketing of such "bootlegs" impossible. Bottom line: few such treasures exist, here's your chance to own one.