Miles Davis Sorceror

This new 5 disc box set includes five of Miles Davis' albums released on Prestige Records. It’s part of the new series celebrating legendary jazz artists from the Concord catalogue including Wes Montgomery, John Coltrane, Thelonious Monk, Bill Evans and Sonny Rollins.

The definitive audio companion to the critically-acclaimed new documentary directed and produced by Stanley Nelson, the soundtrack is an essential Miles Davis playlist for seasoned fans and new listeners alike, lovingly curated by the director and paired with short audio excerpts from the film for a unique listening experience.

Miles Davis - The Complete Miles Davis At Montreux (2002) {20 CD LongBox Warner 0927-41836-2 rec 1973-1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.60 Gb | MP3 @320 -> 2.67 Gb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1973-91, 2002 Warner Music Switzerland | 0927-41836-2
Jazz / Jazz Rock / Fusion / Experimental Big Band / Trumpet

Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.

Throughout a professional career lasting 50 years, Miles Davis played the trumpet in a lyrical, introspective, and melodic style, often employing a stemless Harmon mute to make his sound more personal and intimate. But if his approach to his instrument was constant, his approach to jazz was dazzlingly protean. To examine his career is to examine the history of jazz from the mid-'40s to the early '90s, since he was in the thick of almost every important innovation and stylistic development in the music during that period, and he often led the way in those changes, both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions. It can even be argued that jazz stopped evolving when Davis wasn't there to push it forward…

A beautiful way to experience the early work of Miles Davis - all 14 of his 50s albums for Prestige Records, presented in a special box that contains each album in a tiny replica LP-styled sleeve. The music here is the stuff of legend - trumpet material that really transformed the way the instrument was used in jazz - as Davis really comes into his own as a leader, after time spent recording with Charlie Parker, and doing a bit for Blue Note - then really taking off in the full length space offered by the album format on Prestige. Some of these sets feature classic collaborations with the young John Coltrane, and others include work with Sonny Rollins on tenor, Milt Jackson on vibes, and JJ Johnson on trombone - as well as the famous rhythm section of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums…

This set features most of Davis' earliest albums for Columbia (some still recorded when he was with Prestige, but with their permission.) The sound quality is very good, and the albums selected for inclusion are nearly all essential in my opinion.