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Maurice Abravanel The state of Utah became a flourishing classical music scene thanks to the efforts of Maurice Abravanel, who served as music director of the Utah Symphony for 32 years starting in 1947. Although his peers might have looked at a posting in Utah as death in the boondocks, to Abravanel it was an opportunity to accomplish his dream of building up a permanent symphony orchestra of his own in a part of the world that was sorely lacking such a resource. Doing this meant turning down a lucrative contract with Radio City Music Hall, and even working without pay during the orchestra's most extreme periods of financial struggle.

Celia Cruz was one of Latin music's most respected vocalists. A ten-time Grammy nominee, Cruz, who sang only in her native Spanish language, received a Smithsonian Lifetime Achievement award, a National Medal of the Arts, and honorary doctorates from Yale University and the University of Miami. A street in Miami was even renamed in her honor, and Cruz's trademark orange, red, and white polka dot dress and shoes have been placed in the permanent collection of the Smithsonian Institute of Technology.

Villa Project- Project-Based Revit Architecture 2024

On reading the story of Petula Clark for the purposes of these short notes we couldn’t help but be astounded by the length and breadth of her achievements! She truly is a National Treasure and should actually be treated as one while she is still with us at the grand old age of 91 years of age! Born in Ewell in 1932 Petula was thrust upon the showbiz world at the incredible young age of seven by her enthusiastic father who not only tutored her but took charge of promotions as well! At age nine she made her radio debut and was singing for the troops during the war and by the end of the 1940s was an established singing star. She had early hits in the 1950s and of course went on to much greater success in the sixties with “Down Town”, “This Is My Song” and “Don’t Sleep In The Subway” and many other classics. In the 1950s she became a singing sensation on the continent especially in France where she had married a French man and would settle down to live. In 1965 she conquered America, (something even Cliff never did) with “Downtown” and “I Know A Place” and in fact Pet was to hit the Top 40 fifteen times in three years! Petula was also a film star appearing in many films in the 50s and 60s working with the likes of Alec Guiness, Anthony Newley and Peter Ustinov. Our five classic albums feature the early career of the wonderful Petula Clark and includes her very early hit “The Little Shoemaker”. Beautiful singing, playing and orchestration by the likes of Billy May make these albums essential listening for those who enjoy classic songs sung by a wonderful and perhaps under-rated singer and now living legend, poised as she then was, at the beginning of yet another chapter in a wildly successful singing career Miss Petula Clark! As with all AVID releases, we hope you enjoy this classic set and check out our extensive catalogue for more great music across Pop, Easy Listening, Rock n Roll, Jazz, and many other musical genres.

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.

This Limited Edition 4CD set pays tribute to Elvis Presley's complete master soundtrack recordings made for his movies between 1960-62. As a bonus, two CDs contain rare outtake tracks from these recording sessions and do include unreleased material.

Julie London A sultry, smoky-voiced master of understatement, Julie London enjoyed considerable popularity during the cool era of the 1950s. London never had the range of Ella Fitzgerald or Sarah Vaughan, but often used restraint, softness, and subtlety to maximum advantage. An actor as well as a singer, London played with heavyweights like Gregory Peck and Rock Hudson in various films, and was married to Jack Webb of Dragnet fame for seven years before marrying songwriter Bobby Troup ("Route 66"). London performed her biggest hit, "Cry Me a River," in the Jayne Mansfield film The Girl Can't Help It. After recording her last album, Yummy, Yummy, Yummy, in 1969, she continued to act – playing a nurse on the NBC medical drama Emergency from 1974 until 1978. London left show biz altogether in the late '70s. In the mid-'90s she suffered a stroke, which led to a half-decade of poor health and ultimately contributed to her death on October 18, 2000.

On the 150th anniversary of the birth of Charles Ives - acclaimed by his champion Leonard Bernstein as the 'first great American composer', who, 'all alone in his Connecticut barn, created his own private musical revolution' - Sony Classical presents the most authoritative recording collection ever released of works by this eccentric, prophetic genius. The 5-CD box set 117 tracks 'Charles Ives - The Anniversary Edition' is a unique and provocative introduction.