Ministry Fear Lang

UK five CD box set containing a quintet of alums from the Industrial legends, all housed in mini LP sleeves. Includes the albums Twitch, The Land Of Rape & Honey, The Mind Is A Terrible Thing To Taste, In Case You Didn't Feel Like Showing Up (Live), and Psalm 69…

Chillout Sessions is a series of compilations released by Ministry of Sound that focus on songs from the chillout genre. Songs on Chillout Sessions compilations vary in style from lounge to electronica and are released by many different artists. The Chillout Out genre of compilations started in the UK and since 2003 Ministry of Sound has released them under different tropes such as "Chilled", "After Hours", "The Morning After…" which has shown MOS to have seemingly ended its branding of the genre as Chillout Sessions.

After enduring a year like 2020, no one could have possibly expected Al Jourgensen to stay silent on the maelstrom of the past 12 months. As the mastermind behind pioneering industrial outfit Ministry, Jourgensen has spent the last four decades using music as a megaphone to rally listeners to the fight for equal rights, restoring American liberties, exposing exploitation and putting crooked politicians in their rightful place—set to a background of aggressive riffs, searing vocals and manipulated sounds to drive it home.

Newly uncovered vintage live recordings and unreleased rarities from synth-pop turned industrial metal icons Ministry! Includes a snapshot of Al Jourgensen and the band performing their first ever live show, plus raw demos, alternate mixes and recordings - some of which are appearing here for the first time anywhere!

Ideally, a piano trio should be balanced in its voices and the parts more or less equally matched in expression, but it sometimes happens in late Romantic chamber music that an overwrought piano part can create the opposite conditions. In the Trio élégiaque No. 1 in G minor by Sergey Rachmaninov and the Piano Trio in A minor by Pyotr Il'yich Tchaikovsky, the piano is clearly the dominant force, because it carries most of the thematic material, harmonic textures, and dramatic gestures, and thereby reduces the violin and cello to subsidiary roles.