"…The whole disc is a great success. Recording quality is first rate, with the necessary clarity tempered by warmth and just the right amount of resonance. Excellent notes are by Dr. Christopher Hailey. Recommended, even if you still find Webern hard work." ~musicweb-international
Down, down. . . deeper into the infernal depths. More unknown and unheralded Hillbillies and Delinquent Hayseed Balladeers. They croon. They yodel. And the flames leap ever higher. Cut on microscopic or private-press labels and distributed in minuscule amounts, these Tormented Troubadours sing of Satan, His diabolical offspring, the Grim Reaper, sinful trysts, suicide, murder, Devil trains, inebriates, cuckolds and lustful cadavers - all in one handy CD package. Years in the making - 'Hillbillies In Hell' (The Final Chapter) presents a further 30 timeless testaments of sin, tribulation, cold graves and warm temptations. Mostly issued on forgotten 45s, some of these sides are indescribably rare and are reissued here for the very first time. All for your licentious listening pleasure. *Exclusive scholarly liner notes by Alvin Lucia! *Full dynamic range 2017 remasters direct from the first generation analogue master tapes!
This monumental set of recordings, originally on Das Alte Werk LP, collects Frans Bruggen performing a variety of pre-baroque, baroque and rococco works for recorder(s). Frans Bruggen put the recorder on the map as a solo instrument, and no one before or since has made such a huge impact, nor had Bruggen's musicality and expressiveness. Once the world's most famous recorder player, today Frans Brüggen is considered among the foremost experts in the performance of eighteenth century music. He studied the recorder with Kees Otten and flute at the Amsterdam Muzieklyceum. In addition, he took courses in musicology at the University of Amsterdam.
Deep in the woods this smokey catalog of Nashville icons and hayseed misfits births 'Hillbillies In Hell: Tribulations' - a subterranean collection of deathly Nephilim, swampy graves, teenaged suicidal ideation, tormented Gospel tales, grisly mountain murders, craven lustmords, Apocalyptic visions and problematic parenting. Often originally waxed on microscopic labels and distributed in minuscule amounts, these troubled and sometimes forgotten troubadours sing of lustful homicides, masonic assassinations and Satan's perpetual slaves. Years in the making - 'Hillbillies In Hell: Tribulations' presents 32 testaments of timeless tribulations - sinful succubi, axe-wielding cuckolds, vengeful Hill-folk and the eternal quest for blistered redemption.
From the people who brought you 'Hillbillies In Hell'. War, Patriotism, Pathos, Paranoia and Propaganda in the Country Music Experience. Vinyl Relics recovered from abandoned Fall-Out Shelters and excavated from beneath wastelands of Radioactive Rubble. Country Music Artefacts from the Cold War Era: Hyper-Patriotic Anthems, Delirious Cowpoke Agitprop Diatribes, Peacenik Protestations and Heartfelt Homefront Lamentations. Years in the making - 'Cold War Countdown' presents 28 tempestuous tirades of Red-Scare Pinko-Subversion, Iron Curtain-Clad Simian Freedom Fighters, Bearded Despots, Flower Power Fall-Out, the War Wizened, the Walking Wounded and Heart-Wrenching Fallen Heroes.
At the risk of getting doxxed by my musician colleagues, I'm going to divulge a dark truth about classical music: it's never as captivating or molecule-altering for anyone as it is for us on stage. Which is why I often find classical records, especially those of the orchestral persuasion, so underwhelming.
This CD may be scoffed at by serious jazz listeners, and even by big-band devotees wary of modern "ghost band" performances, but the fact is that it sold over 100,000 pieces when it first appeared in 1983, and its CD version was among the very earliest compact discs ever released commercially in the United States (indeed, so early that the actual CDs had to be imported from Japan). The second-ever release by GRP Records, it put the label on the map, and it also stood as testimony to how good those original arrangements of the Glenn Miller Orchestra were. So how is it as music?
La collaboration entre les disques Barclay et Léo Ferré correspond au sommet de la carrière du chanteur. Il parvient, à cette époque, à concilier deux statuts que tout oppose : il est à la fois le poète anarchiste, défenseur des causes perdues, forcément marginal et un auteur reconnu, presque établi, qui obtient même des succès commerciaux avec "Jolie môme", "Avec le temps" et "C'est extra". Léo Ferré est insaisissable: rock avec le groupe Zoo ("La the nana"), arrangeur et chef d'orchestre précis ("L'Espoir"), il chante "La Complainte de la télé" mais il y fait pourtant son numéro, pleurant à la commande chez Philippe Bouvard…