Mladi Ocka

Following their début album, Belle Époque, the Orsino Ensemble turns its attention to music from Bohemia. There is a strong tradition of Czech wind playing, and hence a wealth of great repertoire on which to draw. Antoine Reicha was a contemporary (and friend) of Beethoven. His E flat Quintet, published in 1817, demonstrates his harmonic ingenuity and talent for idiomatic instrumental writing. Mládí, described by Janácek as ‘…a sort of memoir of youth’, was composed in 1924 in celebration of the composer’s own seventieth birthday, and the mood of the piece is optimistic throughout.

Postcards from Vienna: drawn largely from the supreme players of the Wiener Philharmoniker, collected here are the Decca recordings of Viennese chamber music ensembles, including the New Vienna Octet, Vienna Wind Soloists, Wiener Waldhornverein and Vienna Flute Trio, many making their first international appearance on CD. Led by clarinetist Alfred Boskovsky, the first line-up of the Vienna Octet made it's last recording for Decca in 1972, but Boskovsky was behind the revival of the group's name, having already chosen the young members of the Vienna Philharmonic who would carry on the work of the ensemble and it's traditions of superbly mellifluous, silver-toned playing.

1990 von Dozentinnen und Dozenten der Stiftung Villa Musica Rheinland-Pfalz gegründet, hat sich das Ensemble Villa Musica einen Namen als führende Kammermusikvereinigung gemacht. Was die Fachpresse immer wieder mit Erstaunen registriert, ist die Vielfalt in Besetzung und Repertoire des Ensembles. Rund 20 der renommiertesten Instrumentalisten Deutschlands haben sich unter dem Spiritus rector Ulf Rodenhäuser zusammengefunden. Sie alle sind heute solistisch, kammermusikalisch und als Professorinnen und Professoren an den großen deutschen Musikhochschulen tätig, nachdem sie lange Jahre an den ersten Pulten der renommiertesten deutschen Orchester wirkten oder noch heute wirken.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

The series of Janacek's operas conducted by Sir Charles Mackerras for Decca has become one of the most exciting gramophone projects of the day, with each issue a major event. The new digital recording of the last opera he composed, From the House of the Dead, is no exception: indeed, for reasons that lie beyond the excellence of performance and recording, and also lie apart from the fact that here is the first version to appear for nearly eight years, this is an historic occasion, a significant contribution to musical knowledge.