Who could ever have thought, going back to the Pretty Things' first recording session in 1965 – which started out so disastrously that their original producer quit in frustration – that it would come to this? The Pretty Things' early history in the studio featured the band with its amps seemingly turned up to 11, but for much of S.F. Sorrow the band is turned down to seven or four, or even two, or not amplified at all (except for Wally Allen's bass – natch), and they're doing all kinds of folkish things here that are still bluesy enough so you never forget who they are, amid weird little digressions on percussion and chorus; harmony vocals that are spooky, trippy, strange, and delightful; sitars included in the array of stringed instruments; and an organ trying hard to sound like a Mellotron…
The Animated Egg were a studio-only group that issued a self-titled album of psychedelic instrumentals in the late '60s. It's now known that the chief instigator behind the Animated Egg was renowned Los Angeles session guitarist Jerry Cole, whose fuzzy leads (with some electric 12-string, surf, and Latin lines as well) dominate the arrangements. Cole also wrote the material, and though he was unsure of the other personnel when asked about the LP many years later, possible accompanists include Edgar Lamar and Don Dexter on drums; Tommy Lee and Glenn Cass on bass; Billy Joe Hastings and Norm Cass on guitar; and Billy Preston on organ.
(3CD+2DVD) 50th ANNIVERSARY DELUXE EDITION. 3CDs of new & original stereo mixes, mono A & B singles & loads more + DVD-AUDIO featuring 96 kHz / 24-bit 5.1 Surround Mix & more + DVD of 1968 UK & French TV Specials.
From Boston, this was a heavy psychedelic outfit with free jazz influences. Except for the classic blues track, Sweet Little Angel, all the songs on their album were penned by the group and sung in a very rasping voice by Jere Whiting. The album was produced by Danny Weiss (Everything Is Everything) and recorded in New York. It's one of the few records issued on Vanguard Apostolic, the label managed by John Townley (from Family Of Apostolic).
From Boston, this was a heavy psychedelic outfit with free jazz influences. Except for the classic blues track, Sweet Little Angel, all the songs on their album were penned by the group and sung in a very rasping voice by Jere Whiting. The album was produced by Danny Weiss (Everything Is Everything) and recorded in New York. It's one of the few records issued on Vanguard Apostolic, the label managed by John Townley (from Family Of Apostolic).