Moor Mother

Analog Fluids of Sonic Black Holes is a new full-length by Philadelphia based artist, poet, and musician, Camae Ayewa, who performs under the name Moor Mother.

Jazz Codes is Moor Mother's second and latest album for Anti- and a companion to her celebrated 2021 release Black Encyclopedia of the Air.

Shimmering columns of light will guide you, a grand synesthesia riding on a kaleidoscope, oscillating between hushed moments, where sound unfolds the firmament, unfurled like a cloak upon the shoulders of the real world. Listen: this is not a “track”, a circular appendage looped around a spindle and activated by some muscular stone on stylus. Too many people bled for the diamond there, too many questions remain trapped in the groove. What to do then, besides move the listener beyond the traps of expected sonics and into a menagerie, away from the strange hook of the promise of shelf-space or the obsessive atonal drone of, in fact, obsession? Here it is: live on wax, as it were, a breathing, living thing, pulsating on its own, lifting into the ether to announce itself, to nestle into the crevices of your dusty IKEA storage units. Move this mysticism in!

Camae Ayewa (Moor Mother) leads the Irreversible Entanglements quintet on a cool, swaggering 4th album of punk soul-inspired free jazz jams.

Singular blues journeyman Lonnie Holley returns, flanked by acolytes Moor Mother, Michael Stipe, Bon Iver, Sharon Van Etten, Rokia Koné, and Jeff Parker for a significant new album.

Top dogs Justin Broadrick & Kevin Martin meet Moor Mother to revive their Zonal alias some 20 years after the project’s CDr demo album first appeared on Avalanche.

For DJ, producer and Circus label-head, Yousef, music has underpinned his entire life; throughout a turbulent and often uncertain childhood, music became a life defining outlet. Consolidating a difficult ten-year period from four to fourteen years of age, growing up in his Liverpool family home, 9 Moor Drive, Yousef explores contrasting themes of extreme difficulties, laughter and freedom…

One of the most renowned and uncompromising entities working in 21st century avant-garde Arab-Levantine art and music, Jerusalem In My Heart presents a new album of vital and haunting electronics and electroacoustics, framed by founder and producer Radwan Ghazi Moumneh’s spoken and sung Arabic, buzuk-playing and sound design. Qalaq is the most distilled, variegated and finely wrought Jerusalem In My Heart album to date – featuring a different guest/collaborator on every track, yet as cohesive, emotionally resonant, sonically adventurous and narratively powerful as any release in JIMH’s celebrated discography. Guests across the album's 13 tracks include Moor Mother, Tim Hecker, Lucrecia Dalt, Greg Fox, Beirut, Alanis Obomsawin, Rabih Beaini and many more.