Mosura 1961

Two classic Hooker LPs, all digitally re-mastered, 22 solid slabs of dark, leathery, brooding nostalgia. This is the electric blues at its very roots. This stripped-bare, one man and a growling electric guitar (on most tracks) music is the stuff those guys who fled the south for the auto production lines in the north used to listen to. Hooker’s ‘talking blues’ style is well represented on Folk Lore. Great numbers like I’m Going Upstairs (and we all know what John was going up for), I Like to See You Walk and My First Wife Left Me start to haunt you like some swamp ghost. The Folk Blues tracks are no less powerful. Half A Stranger, Shake, Holler And Run, Down Child and Gonna Boogie all roll into one another to form a big, dusty landscape punctuated by mid-20th century American industry.

John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of the Detroit blues tradition. Often called the “King of the Boogie,” Hooker's driving, rhythmic approach to guitar playing has become an integral part of the blues. His thunderous electric guitar sounded raw, while his basic technique was riveting.
This quintessential release includes two of Hooker's finest albums: Burnin' (1962) - with a full-band accompaniment and featuring the chart success “Boom Boom,” one of Hooker's most identifiable and enduring songs, plus Plays and Sings The Blues (1961) which was filled with 1951-1952 solo­recordings and gems from Hooker's early days. Both masterpieces have been remastered and packaged together in this very special collector's edition, which also includes 3 bonus tracks…

Jazz Sounds of Africa compiles the complete contents of two early New Jazz LPs by Ahmed Abdul-Malik, which were originally issued as The Music of Ahmed Abdul-Malik and Sounds of Africa. The music on this reissue is simply captivating, as the brilliant bassist and oud player of Sudanese descent blends elements of jazz with that of Middle Eastern and African music. While the names of several of the contributing musicians are likely to be unfamiliar to many jazz fans, except for Andrew Cyrille and Tommy Turrentine, the music proves to be fascinating throughout both sessions. Any fan of John Coltrane's composition "India," which was written and performed around the same time frame, will delight in the hypnotic opener, "Nights on Saturn," with an eerie solo by an unidentified Korean reed instrument played by Bilal Abdurrahman…

The sound quality on this album of Parker's Dial mid-'40s Dial material lacks the precision and clarity of his later Verve sessions. Much of the original source material disappeared when Dial went out of business, and, from the remaining masters, a good deal has been lost in the subsequent transfer and re-issue. Still, barring some distortion and a kind of hollow, muffled quality, Parker is in superior form as an artist on these tracks. The mid-'40s seems to be the time Bird hit his stride, and these tracks serve as no subtle reminder that Parker was not only a great innovator, but an incredibly emotional and soulful player, a fact often overshadowed by his technical prowess…

John Coltrane's quintet with Eric Dolphy was recorded extensively during their European tour in 1961, with many of the concerts evidently being broadcast and taped by private collectors. The music heard on this two-CD set was previously available from the now-defunct Mag(Luxe) label, containing both shows from Paris in 1961. The sound quality is better than average, though Elvin Jones' drums are the most prominent instrument, but the rest of the band can be heard. Coltrane tends to solo long, not always giving Dolphy and Tyner the room they deserve, though they are effective when featured…