Principal players of the London Symphony Orchestra display their virtuosic talents on this album of concertos for wind instruments by Mozart, recorded in concert with conductor Jaime Martín in the excellent acoustic of the Jerwood Hall at LSO St Luke’s.
For Mozart, wind instruments had their own voices, full of warmth and tenderness, as much as singers did, and his concertos are animated with an operatic sense of drama. His own experience as a violinist allowed him to write five concertos for the instrument that are full of sparky virtuosity, here conveyed with sovereign authority by Henryk Szeryng. This collection (originally released as part of the legendary Philips Classics Mozart Edition) is full of truly authoritative performances featuring internationally acclaimed artists.
This set of recordings from the vaults of the Decca and Philips labels has an advantage over other samplers of the works of Wolfgang Amadeus Mozart in that it gives listeners complete multimovement works, not just a single movement or an excerpt of a movement. On the other hand, because of this, the number of works presented is by necessity much smaller than other compilations. Rest assured, though, that the producers selected the best of the best of Mozart's compositions. The symphonies are represented by No. 40 and No. 41 on the first disc of the set, with Georg Solti conducting the Chamber Orchestra of Europe.
This 28 CD box set includes the Argo jewels from Marriner’s early recording days with the chamber orchestra he founded in 1958, The Academy of St Martin in the Fields. The edition spans the years 1964-1981, and includes a bonus CD of the first recordings from 1961.The collection concentrates on the Argo years, when the pattern for the Academy’s success was set. Winning performances by soloists such as Alan Loveday and Iona Brown — who in 1974 became Marriner’s successor in directing from the violin – were a key part of the fabric of the Academy’s unique sound. Highlights in this box include the legendary recording of Vivaldi’s Four Seasons, and full performances of Handel’s Messiah and Mozart’s Requiem.
For many their first encounter with classical music will be through its use in films and this collection makes a fantastic entry point to this rich and diverse world. Helpfully all tracks list the films alongside the music, so there will be no doubt as to where the music is familiar from. Classical music has been used to memorable effect in films many times from Ride of the Valkyries in Apocalypse Now to Barber s Adagio in Platoon and from Also sprach Zarathustra in 2001: A Space Odyssey to Beethoven s Ninth in A Clockwork Orange. Occasionally, as in the case of Mozart s Piano Concerto No.21 used in Elvira Madigan, the film title has provided a lasting nickname for the music. All these favourites are included here.
Julia Fischer (violin), Jonathan Crow (violin), Douglas McNabney (viola), Matt Haimovitz (cello), Lenneke Ruiten (soprano), Martin Helmchen (piano), Arabella Steinbacher (violin), Keisuke Wakao (oboe), Malcolm Lowe (violin), Cathy Basrak (viola), Sato Knudsen (cello), Ana de la Vega (flute), Andrew Marriner (clarinet), Gustavo Núñez (bassoon), Ulf-Dieter Schaaff (flute), Philipp Beckert (violin), Andreas Willwohl (viola), Georg Boge (cello), Kevin Short (bass), Gordan Nikolić (violin). Marco Boni, Yakov Kreizberg, Ed Spanjaard, Simon Murphy, Gordan Nikolić, Bastiaan Blomhert, Stephanie Gonley, Neville Marriner, Henk Rubingh, Lawrence Foster
The finest masterpieces of classical music are available on the 4 CDs of "Classical: The Collection". A selection of sonatas, symphonies and concertos by the greatest composers of all time including Beethoven, Mozart, Handel and Haydn to name a few. This collection is a must-have for all music lovers!
Sabine Meyer is one of the world's most renowned instrumental soloists. Her career has taken her from the orchestra pit as a member of both the Bavarian Radio Symphony and the Berlin Philharmonic to the height of solo stardom. It is partly due to her that the clarinet as a solo instrument recaptured the attention of the concert platform.