A storm rages off the island of Crete, forcing King Idomeneo, who is returning from the Trojan War, to make a fateful vow to Neptune. If the enraged sea god allows him to reach the island safely, he promises that he will sacrifice the first person he meets to him. Once on the beach, Idomeneo is met by his son, Idamante - of all people- and the merciless and irreconcilable world of the gods seems intent on ensuring that the promise is fulfilled…
This is an opportunity to study and enjoy a variety of chamber works drawn primarily from Mozart’s "golden years" in Vienna, 1781–1791. The centerpiece of the course is the set of six Haydn string quartets that Mozart dedicated to his friend, the great Joseph Haydn. Across the span of the course, you will explore works that represent the three types of chamber music that Mozart composed: Any chamber group consisting, in whole or in part, of a string quartet: two violins, a viola, and a cello. The "piano plus" combination: works for keyboard and some other instrument or instruments. Everything else: combinations that employ neither a string quartet nor a piano.
Karl Böhm's recording of the Mozart symphonies with the Berlin Philharmonic Orchestra is among the most respected and beloved sets of this important body of work. Böhm's set was the first complete recording of the symphonies (including several that subsequent scholarship has shown to be written by other composers and misattributed to Mozart) and it remains a substantial achievement because of the conductor's stature as a Mozartian and because of the enthusiastic and refined playing of the Berlin Philharmonic.
Thanks to its unique sound palette and the standing it acquired with its yearly New Year’s Concert broadcasted worldwide, the Wiener Philharmoniker is one of the most emblematic orchestras of the planet. At the onset of another rich summer season that will see it perform at the Salzburg Festival under the baton of Riccardo Muti, Andris Nelsons or Ingo Metzmacher, let’s enjoy some of their illustrious performances, starting with Mozart. This compilation features figures such as Rafael Kubelík, Karl Böhm, Wilhelm Furtwängler, Elisabeth Schwarzkopf, Riccardo Muti and Nicolai Gedda.
After her studies at the « Conservatoire National Supérieur de Musique », passing with a unanimous First Prize in Vlado Perlemuter’sclass, Danielle Laval fell under Arthur Rubinstein’s notice. He was dazzled by her virtuosity and her deep sensitivity.