Clean Your Clock is the thirteenth and last live album by the band Motörhead, released on 10 June 2016. This was recorded during their European 40th Anniversary tour. It is compiled from two sold-out shows at the Zenith in Munich, Germany, on 20 and 21 November 2015 (both nights were filmed but only the first show was released)…
20 Years of Jethro Tull is a 1988 boxed set which spans the first twenty years of Jethro Tull. It was issued as five LPs: Radio Archives, Rare Tracks, Flawed Gems, Other Sides of Tull, and The Essential Tull. It was simultaneously released as both a 3CD and a 3-cassette set, titled 20 Years of Jethro Tull: The Definitive Collection…
Rare Earth is an American rock band affiliated with Motown's Rare Earth record label (named after the band), which prospered from 1970–1972. Although not the first white band signed to Motown, Rare Earth was the first big hit-making act signed by Motown that consisted only of white members…
Although Steve Hackett had made several albums under his own name since his departure from Genesis, 1981's Cured was the closest thing yet to a true solo Hackett album. Having disbanded the group with whom he's recorded two successful solo albums – Spectral Mornings and Defector – Steve retained only keyboard player Nick Magnus to help out on this effort. Magnus played keyboards, Hackett handled guitar and bass, and the drums were provided by a drum machine. But the most noticeable change was in the vocals…
All right, he's made a record with his wife and a record with his pickup band where democracy is allegedly the conceit even if it never sounds that way, so he returns to a solo effort, making the most disjointed album he ever cut. There's a certain fascination to its fragmented nature, not just because it's decidedly on the softer side of things, but because his desire for homegrown eccentricity has been fused with his inclination for bombastic art rock à la Abbey Road…
Out of the Tunnel's Mouth is the 20th studio album by musician Steve Hackett. It is his first album on his new label Wolfwork after leaving his previous label Camino. The album was announced on 30 October 2009 for sale via his website and live shows…
The concept of this album is about the relation between human and the Wolf. Also important is the hours before dawn, because it's the time that the wolf are hunting and that Steve Hackett like to write his songs. It's a unique time to let things comes naturally without any distractions…
When Paul McCartney returned to the studio a year after his wife Linda's death, he wanted to cut loose and have a good time. He gathered a bunch of friends, most notably guitarist David Gilmour, with the intention of cutting a collection of rock & roll oldies with minimal rehearsal and a handful of takes. On the surface, that makes Run Devil Run like Choba B CCCP, but there are subtle differences that make Devil a far superior effort…
At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007. New lives up to its title, finding McCartney eager, even anxious, to engage with modern music while simultaneously laying claim to the candied, intricate psychedelia of latter-day Beatles…
Although it ironically coincided with the compact disc format's slow but inexorable march toward likely extinction, the third millennium's first decade witnessed an incredible boom in CD reissues of obscure ‘70s hard rock bands; bands whose careers quickly floundered or never even took off due to any number of reasons, like the subject of this review, London's Steel Mill. Like many of these commercially failed entities, Steel Mill made the fatal mistake of attempting to partake in the relatively isolated worlds of both progressive and heavy rock, instead of committing to just one or the other, and so their sole LP, 1972's Green Eyed God, fell through the cracks of consumer tastes and wasn't even released in the U.K. until 1975, three years after the group's demise. Be that as it may, few heavy prog bands favored such a dramatic clash between their artier musical pretensions and more visceral instrumental instincts than this London quintet, resulting in fascinatingly schizophrenic numbers boasting as much inner city grime and bluster as they do pastoral purity and whimsy…