Mrs Amsterdam Ubiqfile

Simon & Garfunkel The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic and electric guitars, and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum and was sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s.

Gesualdo Consort Amsterdam While singing music of many composers, the Gesualdo Consort's biggest achievement has been recording all of Sweelinck's vocal music.

Cappella Amsterdam and its celebrated chief conductor Daniel Reuss present an integral recording of Lassus’ Penitential Psalms.

Cappella Amsterdam, its celebrated chief conductor Daniel Reuss, and the Noord Nederlands Orkest present a recording of Igor Stravinsky’s late works, showcasing the composer’s remarkable transformation.

Cappella Amsterdam, its celebrated chief conductor Daniel Reuss, and the Noord Nederlands Orkest present a recording of Igor Stravinsky’s late works, showcasing the composer’s remarkable transformation. Embracing the twelve-tone technique in his later years, Stravinsky reshaped his contrapuntal voice and produced works of rigorous structure, spiritual depth, and emotional intensity. These late compositions, from In Memoriam Dylan Thomas to Requiem Canticles, reveal a composer who fused intellectual precision with ritualistic power, creating music that is as moving as it is masterful.

Van Morrison Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced what is regarded as perhaps the most spiritually transcendent body of work in the rock & roll canon. Having penned iconic songs such as "Gloria," "Brown-Eyed Girl," and "Moondance," Morrison has, from the very beginning – as frontman for Irish blues rockers Them during the early 1960s to a solo career that has lasted more than 50 years – been subject only to the whims of his own muse. His solo recordings, beginning with the mystical, jazzy folk of Astral Weeks in 1968, cover extraordinary stylistic ground, yet retain a consistency of vision and purity of execution unmatched among his contemporaries. His swinging meld of jazz, pop, folk, blues, and Celtic soul fueled the albums of his Warner Bros. period from the late '60s (Moondance) to the early '80s (Common One).

Since their foundation in 1962, Status Quo established their distinctive boogie rock style that became their trademark.

John Wetton had one of the most varied careers in progressive rock. He played in the majority of the big names in prog, in many cases in their classic lineups. His first major band experience came when he joined Family in 1971. He was featured on two of their albums: 1971's Fearless and Bandstand (released the following year). He performed various functions in the group, but his primary role was as bassist. Previous to this group he had recorded with Edwards Hand and Mogul Thrash. He left Family to join Robert Fripp and company in King Crimson, taking a place that had been previously filled by Greg Lake.

The Hungarian conductor Antal Doráti had already made several recordings in the US with various orchestras for the Mercury label when Philips engaged him to begin working in the studio with the Royal Concertgebouw Orchestra of Amsterdam. There had been thrilling accounts of Tchaikovsky from both Minneapolis and Chicago and so it was to be expected that Doráti’s Dutch recordings would begin by concentrating on Slavic repertoire – indeed just as Philips itself had done: the label was launched in 1950 with a recording of the Fourth Symphony conducted by Willem van Otterloo.