Muddy Woters

Seldom equalled and never surpassed, Muddy Waters changed the course of popular music. Beautifully remastered to capture Muddy's intoxicating power, this Rough Guide charts his early career in the Delta and pioneering time in Chicago.
The bonus CD features a group of stellar musicians, who played with Muddy Waters while he changed the face of blues music. Harmonica players James Cotton and Junior Wells, guitarists and singers Jimmy Rogers, Earl Hooker, Walter Horton, Jimmy Oden, Buddy Guy and Otis Rush, all passed through Muddy's band or played on his records. Others were merely influenced by him. But then again, of the blues musicians of the 1950s, there was scarcely anybody who wasn't…

Seldom equalled and never surpassed, Muddy Waters changed the course of popular music. Beautifully remastered to capture Muddy's intoxicating power, this Rough Guide charts his early career in the Delta and pioneering time in Chicago.
The bonus CD features a group of stellar musicians, who played with Muddy Waters while he changed the face of blues music. Harmonica players James Cotton and Junior Wells, guitarists and singers Jimmy Rogers, Earl Hooker, Walter Horton, Jimmy Oden, Buddy Guy and Otis Rush, all passed through Muddy's band or played on his records. Others were merely influenced by him. But then again, of the blues musicians of the 1950s, there was scarcely anybody who wasn't…

Once Chess discovered a white folk-blues audience ripe and ready to hear the real thing, they released a series of albums under the Real Folk Blues banner. This is one of the best entries in the series, a mixed bag of early Chess sides from 1949-1954, some of it hearkening back to Muddy's first recordings for Aristocrat with only Big Crawford on strings in support, with some wonderful full band sides rounding out the package to give everyone the big picture. A couple of highlights to pay special attention to are the cha cha/shuffle strut of the band charging through "Walkin' Through the Park" and the "I'm a Man"-derived nastiness of "Mannish Boy."

Accompanied by Johnny Winter and his band, Muddy Waters turns in an enthusiastic performance on Muddy "Mississippi" Waters Live. The set list contains most of his biggest hits, and the sound quality and performances are mostly energetic. Still, there's something faintly repetitive about this record. For one thing, there's only one song here, "Deep Down in Florida," that comes from any of Waters' recent albums. All of the others are old standards, which makes this album rather superfluous, since there are equally forceful performances of these cuts elsewhere. It doesn't help any that "Deep Down in Florida" isn't an especially noteworthy song, sounding more like a rewrite of Waters' older, better cuts. Without much in the way of new material, or anything especially notable about the performances, it sometimes comes off as little more than a set of Muddy Waters' greatest hits, with applause as the sole new ingredient…

This is the first of two super session albums that Chess produced in the late '60s. Time has been a bit kinder to this one, featuring Muddy, Bo Diddley and Little Walter, than the one cut a year later with Howlin' Wolf standing in for Walter. It's loose and extremely sloppy, the time gets pushed around here and there and Little Walter's obviously in bad shape, his voice rusted to a croak and trying to blow with a collapsed lung. But there are moments where Bo's heavily tremoloed guitar sounds just fine and the band kicks it in a few spots and Muddy seems to be genuinely enjoying himself. Granted, these moments are few and way too far between, but at least nobody's playing a wah-wah pedal on here.

After the Rain dates from the most controversial period in Muddy Waters' history - along with its predecessors, Electric Mud (probably the most critically despised album in Muddy's catalog) and Brass and the Blues (an effort to turn him into B.B. King), it came out of an era in which Chess Records was desperately thrashing around trying any musical gambit to boost the sales of its top blues stars. But unlike Electric Mud, in which the repertoire selected by producer Marshall Chess was mostly unsuited, and the musical settings provided by Phil Upchurch, Pete Cosey et al. were too loud and too frenetic for Muddy's style of singing, After the Rain simply let him be Muddy Waters. The album mostly featured higher-wattage remakes of a lot of familiar repertoire, including "Honey Bee" and "Rollin' and Tumblin'," and also reintroduced Muddy's own electric guitar, which had mostly been unheard on his recordings of the 1960s…

Muddy Waters left Chess only when the label folded upon its sale in the mid-'70s, but by that point he was in need of the kind of career revival that only comes with a new label and new set of collaborators. That's precisely what Muddy received in 1976, when he signed with Blue Sky Records and teamed up with the hotshot blues-rock guitarist Johnny Winter, who produced Waters' acclaimed 1977 comeback, Hard Again, and its sequels, 1978's I'm Ready and 1981's King Bee, along with supporting Muddy for the 1979 concert set Muddy "Mississippi" Waters Live. All four albums are cherry-picked for Raven's 2009 compilation The Johnny Winter Sessions 1976-1981, which also adds a cut from the 2003 deluxe edition of Live and Muddy's duet "Walking Thru the Park" from Winter's 1977 album, Nothin' But the Blues…

Muddy Waters left Chess only when the label folded upon its sale in the mid-'70s, but by that point he was in need of the kind of career revival that only comes with a new label and new set of collaborators. That's precisely what Muddy received in 1976, when he signed with Blue Sky Records and teamed up with the hotshot blues-rock guitarist Johnny Winter, who produced Waters' acclaimed 1977 comeback, Hard Again, and its sequels, 1978's I'm Ready and 1981's King Bee, along with supporting Muddy for the 1979 concert set Muddy "Mississippi" Waters Live. All four albums are cherry-picked for Raven's 2009 compilation The Johnny Winter Sessions 1976-1981, which also adds a cut from the 2003 deluxe edition of Live and Muddy's duet "Walking Thru the Park" from Winter's 1977 album, Nothin' But the Blues…

Muddy Waters left Chess only when the label folded upon its sale in the mid-'70s, but by that point he was in need of the kind of career revival that only comes with a new label and new set of collaborators. That's precisely what Muddy received in 1976, when he signed with Blue Sky Records and teamed up with the hotshot blues-rock guitarist Johnny Winter, who produced Waters' acclaimed 1977 comeback, Hard Again, and its sequels, 1978's I'm Ready and 1981's King Bee, along with supporting Muddy for the 1979 concert set Muddy "Mississippi" Waters Live. All four albums are cherry-picked for Raven's 2009 compilation The Johnny Winter Sessions 1976-1981, which also adds a cut from the 2003 deluxe edition of Live and Muddy's duet "Walking Thru the Park" from Winter's 1977 album, Nothin' But the Blues…