This is an excellent compilation of some of Muddy Waters's lesser-anthologized singles, all of them dating from the late '50s. Some of these were surprisingly hard to acquire in any form until this appeared; the original version of "Got My Mojo Working," and for instance, as well as some of his higher-profile tracks, like "Rock Me," "Trouble No More," "Close to You," and "Don't Go No Further."
On April 21, 1988, two significant events occured in the Cradle of the Blues, Clarksdale, Missisippi. One was ZZ Top's dedication of a guitar made from a board from Muddy Waters' home to the Delta Blues Museum. Of equal significance were the incredible performances turned in by the "original" Muddy Waters Blues Band at John Mohead's Cotton Exchange Club. No overblown concert to mark the event, rather two authentic juke-joint shows by a special group of players, the likes of which invented the genre.
This two-CD set was distilled from those historic performances. Be warned! You'll hear crowd noise, clinking glasses, missed notes and feedback. You'll hear tade-ins and fade-outs, mainly because the original recording devices were not always operating at the right time…
One could definitely argue that this 16-track album doesn't in fact contain the best of Muddy Waters since it lacks any of his template-setting and explosive 1950s sides from Chess Records, being compiled instead from Waters' late-'70s and early-'80s output on the Blue Sky label with Johnny Winter in the producer's chair. No, the Chess tracks are the ones to get first, but the Blue Sky material makes for a nice addendum, featuring a slightly more refined sound that allows each song to develop easily and naturally. Highlights include a wonderfully ragged and loose acoustic do-over of "I Can't Be Satisfied," a sturdy "Good Morning Little School Girl," and a copycat but still fun version of Slim Harpo's "I'm a King Bee."Steve Leggett - All Music