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Riccardo Muti, Orchestra e Coro del Teatro alla Scala - Rossini: Moise et Pharaon (2005)

Riccardo Muti, Orchestra e Coro del Teatro alla Scala - Rossini: Moïse et Pharaon (2005)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 6 ch) | 181 min | 6,58+6,12 Gb (2xDVD9)
Classical | Label: TDK | Sub: English, Deutsch, Francais, Espanol, Italiano | Recorded: 2003

TDK presents an impressive staging of one of Rossini’s opera masterpieces. This production, staged by La Scala Milan is conducted by Riccardo Muti. Moïse et Pharaon - Rossini’s re-adaptation of the story of Moses in Egypt - emphasizes the dramatic moments of the biblical account beautifully and also demonstrates the composer‘s mastery of the French tradition: solos and choral work are superb compositions, the duets are expressive and touching. Including an extensive ballet scene at the beginning of Act III and featuring a preeminent international cast of singer-actors – Erwin Schrott, Barbara Frittoli, Sonia Ganassi - this recording brings a Rossini experience of the highest rank onto the screen.
Chicago Symphony Orchestra, Riccardo Muti - Anton Bruckner: Symphony No. 9 (2017)

Anton Bruckner: Symphony No. 9 (2017)
Chicago Symphony Orchestra, conducted by Riccardo Muti

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Scans included
Classical | Label: CSO-Resound | # CSOR901 1701 | 01:02:20

For this 2017 CSO-Resound release, Riccardo Muti and the Chicago Symphony Orchestra present Anton Bruckner's unfinished Symphony No. 9 in D minor in a monumental performance that impresses with its marmoreal weight, poignant lyricism, and brutal volatility. Not widely known for his few Bruckner recordings, Muti nonetheless delivers this symphony with the passion and sensitivity of an experienced Brucknerian, and possibly because he hasn't recorded it before, this live rendition of the Ninth seems like an attempt to make up for lost time. Muti's intensity and the orchestra's ferocious power combine to make a memorable reading that may remind listeners of performances by such greats as Günter Wand, Eugen Jochum, and particularly Carlo Maria Giulini, whose recordings of the Ninth are recognized benchmarks. While Muti only performs the three completed movements, and eschews any attempted reconstructions of the surviving Finale sketches, the performance has a genuine feeling of wholeness, and the Adagio particularly has the grandeur and pathos that make it feel like a convincing ending, albeit one that the composer did not intend.
Riccardo Muti, Wiener Philharmoniker - Mozart: The Da Ponte Operas (2002)

Riccardo Muti, Wiener Philharmoniker - Mozart: The Da Ponte Operas (2002)
EAC | FLAC | Image (Cue & Log) ~ 2.0 Gb | Total time: 08:36:02 | Scans included
Classical | Label: EMI | # 5 75535 2 | Recorded: 1983, 1987, 1991

Three of Mozart's most popular operas – Le nozze di Figaro, Don Giovanni, and Così fan tutte, conducted by leading opera maestro Riccardo Muti in performances from Vienna and Salzburg, are here available in one set.
Riccardo Muti, Luigi Cherubini Youth Orchestra - Saverio Mercadante: I due Figaro (2013)

Riccardo Muti, Luigi Cherubini Youth Orchestra - Saverio Mercadante: I due Figaro (2013)
EAC | FLAC | Image (Cue & Log) ~ 692 Mb | Total time: 53:42+38:14+74:28 | Scans included
Classical | Label: Ducale | # DUC045-47 | Recorded: 2011

Riccardo Muti's 2011 performances of Saverio Mercadante's I due Figaro (The Two Figaros) were the first it had received since 1835, and this Ducale release of the presentation at the Teatro Alighieri in Ravenna, Italy, is the world-premiere recording. The story of this comic opera is a sequel to events in the Beaumarchais plays, which inspired Rossini's Barber of Seville and Mozart's Marriage of Figaro; the characters of Figaro, Susanna, Cherubino, and the Count and Countess Almaviva are seen a decade later in another farce of disguises and deception. The music is very much in the animated style of Rossini, with an exotic quality that Mercadante discovered on his visit to Madrid, and the mood of the opera is brightened by the combination of Neapolitan tunefulness and Spanish dance rhythms. With Mario Cassi as Figaro, Eleonora Buratto as Susanna, Annalisa Stroppa as Cherubino, Antonio Poli as the Count, and Asude Karayavuz as the Countess, the talented cast is energetic and lively, especially in the rapidfire patter, though there is some lovely bel canto singing in the many cavatinas that admirers of Donizetti and Bellini will appreciate. The Orchestra Giovanile Luigi Cherubini gives Muti a sunny instrumental blend to work with, and the woodwinds stand out for their distinctive timbres. Considering that this is a live recording, the audio is quite clear and relatively noise-free, and the orchestra has a warm, vibrant presence.
–Blair Sanderson
Riccardo Muti, Wiener Philharmoniker - Verdi: Otello (2012) [Blu-Ray]

Riccardo Muti, Wiener Philharmoniker - Verdi: Otello (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 142 min | 22,6 Gb
Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit
BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 142 min | 10,0 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: Italian, English, German, French, Spanish, Chinese, Korean, Japanese

This live issue from the 2008 Salzburg Festival centers around Riccardo Muti’s driving, powerful take on Verdi’s score. He gets wonderful, idiomatic playing from the Vienna Philharmonic, and the recorded balance in fact tends to favor the orchestra over the fine, largely fresh-voiced singers. (Muti uses an unusual edition of Act III’s concertato that Verdi wrote for the opera’s Paris premiere, featuring considerable variants in the soprano line and lighter orchestration.)
Riccardo Muti, Chicago SO, Soloists - Hector Berlioz: Symphonie fantastique & Lelio, ou le Retour a la Vie (2015) 2CDs

Hector Berlioz: Symphonie fantastique & Lélio, ou le Retour à la Vie (2015) 2CDs
Chicago Symphony Orchestra, conducted by Riccardo Muti; Gérard Depardieu, narrator
Chicago Symphony Chorus; Mario Zeffiri, tenor; Kyle Ketelsen, bass-baritone

EAC | FLAC | Image (Cue&Log) ~ 424 Mb | Scans ~ 45 Mb | Time: 01:54:42
Genre: Classical | Label: CSO Resound | # CSOR 901 1501

Recorded in 2010 during Riccardo Muti's first subscription concerts as the Chicago Symphony Orchestra's tenth music director, this new double-CD release pairs Hector Berlioz's beloved Symphonie fantastique with its sequel, Lélio, ou le retour de la vie (Lélio, or The Return to Life). Berlioz intended Symphonie fantastique to be followed by Lélio in concert, as the artist returns to life to comment anew on music and art. Maestro Muti and the CSO are joined in Lélio by the acclaimed actor Gérard Depardieu as the narrator, tenor Mario Zeffiri, bass-baritone Kyle Ketelsen, and the Chicago Symphony Chorus. With the "conclusion and complement" of Symphonie fantastique, as Berlioz referred to Lélio, this recording increases listeners' familiarity with the music of a daring and revolutionary composer.
Riccardo Muti, Orchestra del Teatro alla Scala - Puccini: Manon Lescaut (2005/1998)

Riccardo Muti, Orchestra del Teatro alla Scala - Puccini: Manon Lescaut (2005/1998)
NTSC 16:9 (720x480) | Italiano | LinearPCM, 2 ch | Dolby AC3, 6 ch | DTS, 6 ch | 7.27 Gb (DVD9) | 134 min
Classical | TDK | Sub.: English, Deutsch, Francais, Espanol, Italiano

Maria Guleghina impresses strongly. To my mind she is Puccini’s ideal ‘tart with a heart for gold’. She has control and sensitivity and she acts everybody off the stage. She’s coy (but with just a hint of being street-wise) in Act I, outrageously flighty and avaricious in Act II, and, at last, contrite in Act IV. Just watch her as she taunts Geronte di Ravoir (a far too gentlemanly Luigi Roni) in Act II and the way she disports herself on the floor of the stage to seduce Des Grieux back to her charms.
Riccardo Muti, Coro e Orchestra del Teatro alla Scala - Verdi: Ernani (2004/1982)

Riccardo Muti, Coro e Orchestra del Teatro alla Scala - Verdi: Ernani (2004/1982)
NTSC 4:3 (720x480) | Italiano (LinearPCM, 2 ch) | 6.82 Gb (DVD9) | 137 min
Classical | NVC ARTS | Sub.: English, Francais, Deutsch, Espanol, Japanese

Unlike Verdi's earlier successes, Nabucco and I Lombardi, both of which had been composed for the large stage at La Scala, Milan, Ernani was written for the smaller stage and more intimate atmosphere of Teatro La Fenice, Venice and he was in his thirty third year when it was composed. This recording is superb in every way. The singers, led by Placido Domingo as Ernani and Mirella Freni as Donna Elvira, entertain us with bravura performances and it's a joy to listen to and watch from beginning to end.

Riccardo Muti - Tchaikovsky: Complete Symphonies (2011)  Music

Posted by ciklon5 at April 10, 2018
Riccardo Muti - Tchaikovsky: Complete Symphonies (2011)

Riccardo Muti - Tchaikovsky: Complete Symphonies (2011)
FLAC (track+cue+log) | 8:28:19 | 2 Gb
Genre: Classical Music / Label: Warner Music

‘Muti's Tchaikovsky cycle with the Philharmonia is one of the most consistent ever, with the conductor's high voltage tempered by expressive warmth and keen fantasy … This Muti box earns the warmest recommendation,’ wrote Gramophone of the complete symphonies when they first appeared. Complementing them here are further works by Tchaikovsky, recorded with both the Philharmonia and Philadelphia orchestras, including the Manfred Symphony and First Piano Concerto with Andrei Gavrilov as a breathtaking soloist.
Riccardo Muti, Orchestra del Teatro alla Scala - Salieri: Europa riconosciuta (2016/2004)

Riccardo Muti, Orchestra del Teatro alla Scala - Salieri: Europa riconosciuta (2016/2004)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 7.67 Gb (DVD9) | 133 min
Classical | Erato | Sub: Italiano, English, Francais, Deutsch

In 1778 Antonio Salieri’s Europa riconosciuta became the first work to be performed at the Milanese theatre later known as the Teatro alla Scala. Despite this honour, Europa riconosciuta (Europa recognised) remained unperformed for 226 years until 2004, when Riccardo Muti, then Music Director of La Scala, chose it to reopen the legendary theatre after three years of renovation work. “I love Salieri," Diana Damrau has said. "He was an important man and a musical authority in Vienna, a teacher and an heir to Gluck as a successful opera composer. And, like Mozart, he was a dramatist in music. Europa Riconosciuta is masterly in its construction and builds up step by step.