Baron Toots Thielemans was born in Brussels on April 29, 1922 and would turn 100 this year. A complete overview of one of the greatest Belgian musicians ever on LP and CD. With his most famous own songs, collaborations with great artists such as Billy Joel, his soundtracks, Brazilian trips and never before released live material.
After reaching an international level of success with Demons and Wizards, Uriah Heep continued to build their fan base by knocking out another album of prog-like metal before the year's end. The end result, The Magician's Birthday, is not as consistent or cohesive as Demons and Wizards but still offers plenty of highlights…
After reaching an international level of success with Demons and Wizards, Uriah Heep continued to build their fan base by knocking out another album of prog-like metal before the year's end. The end result, The Magician's Birthday, is not as consistent or cohesive as Demons and Wizards but still offers plenty of highlights. It starts dramatically with "Sunrise," a spooky power ballad that alternates quiet organ-led verses with an emotional chorus and guitar-fuelled instrumental breaks topped off by David Byron's operatic wail…
Recorded live at Madison Square Garden, New York City - January 9, 1997. The purpose was a charity concert for celebrating David Bowie's 50th birthday. Many friends of the artist took actively part at this event, therefore it is referred to as an album of "David Bowie & Friends": Dave Grohl and his Foo Fighters, Lou Reed, Robert Smith (The Cure), Billy Corgan (Smashing Pumpkins), Sonic Youth. For many years this Live album has circulated as a bootleg, now it has been officially released in April 2011.
Biffy Clyro release the surprise new project The Myth of the Happily Ever After. The record is a homegrown project that represents a reaction to their #1 album A Celebration of Endings and a rapid emotional response to the turmoil of the past year. It is the ying to the yang of A Celebration, the other-side-of-a-coin, a before-and-after comparison: their early optimism of 2020 having been brought back to earth with a resounding thud. It’s the product of a strange and cruel time in our lives, but one that ultimately reinvigorated Biffy Clyro.
On an irregular basis in the early '80s, the innovative electric bassist Jaco Pastorius led a big band that he called Word of Mouth. This excellent CD documents Pastorius' 30th birthday party, a concert at which he was joined by the Peter Graves Orchestra (consisting of 14 horns, two steel drums, and two percussionists) plus drummer Peter Erskine, Don Alias on conga, and both Michael Brecker and Bob Mintzer on tenors.
This is the third and final guest appearance by clarinetist Bill Smith in the place of Paul Desmond with the Dave Brubeck Quartet. Like the earlier record dates, this 1961 session focuses exclusively on Smith's compositions, resulting in a very different sound for the band than its normal mix of the leader's songs and standards. Smith was a member of Brubeck's adventurous octet of the late '40s and, like the pianist, also studied with French composer Darius Milhaud. So the clarinetist is willing to take chances, utilizing a mute on his instrument in "Pan's Pipes," and having drummer Joe Morello use his timpani sticks on the piano strings in the swinging "The Unihorn." Smith proves himself very much in Desmond's league with his witty solos and equally amusing, pun-filled liner notes…
In honor of what would have been John Lennon’s 75th birthday, Blackbird Presents and AMC brings you Imagine: John Lennon 75th Birthday Concert, an all-star concert event celebrating the music and message of the legendary music icon. Imagine: John Lennon 75th Birthday Concert features captivating performances, in-depth interviews, and compelling behind-the-scenes action with Aloe Blacc, Eric Church, Sheryl Crow, Brandon Flowers, John Fogerty, Peter Frampton, Juanes, Kris Kristofferson, Pat Monahan, Tom Morello, Willie Nelson, The Roots, Spoon, Chris Stapleton and Steven Tyler.
Before Sun Ra careened into the jazz avant-garde with his banks of electrickeyboards and highwire group improvisations, he made recordings like *Fatein a Pleasant Mood.* Rich with Ra's persistent astro-mythology, *Fate* is equally rich with an immersion in the history of big band music. The charts played on Fate are as orchestrally complex as anything Duke Ellington wrote, yet they still maintain a clear position on the cusp of the avant-garde. More than anything, changes are the order on Fate, fast runs across difficult melody statements, on-the-fly changes in harmonic aims and rhythmic jumps that illuminate just how completely Sun Ra understood the overlap of jazz traditions as the 1960s approached.