Thirteen hours of unreleased and ultra-rare music. The Eternal Myth Revealed is a 14 disc docu-biography of Ra's life and career, from his birth in 1914 up to 1959. In addition to his own music, it includes music he was influenced by, and a lot of stuff he may or may not have had a hand in as arranger, vocal coach, pianist or something else. Sun Ra's output was as prolific as Ellington's, and discographers have had nightmares and arguments attempting to document it accurately.
Blues Pills unveils their fourth studio album, Birthday. Marked by the lead singer Elin Larsson's discovery of her pregnancy during the recordings and journey to motherhood, infusing the music with profound emotion. Written in just a few weeks in Sweden's serene countryside and produced by Grammy-nominated Freddy Alexander, the album captures Blues Pills' raw energy and magnetic charisma in its purest and most honest form. Birthday symbolizes not just musical evolution but also the deep bond between bandmates, evident in their unwavering support for Elin during this transformative time.
Blues Pills unveils their fourth studio album, Birthday. Marked by the lead singer Elin Larsson's discovery of her pregnancy during the recordings and journey to motherhood, infusing the music with profound emotion. Written in just a few weeks in Sweden's serene countryside and produced by Grammy-nominated Freddy Alexander, the album captures Blues Pills' raw energy and magnetic charisma in its purest and most honest form. Birthday symbolizes not just musical evolution but also the deep bond between bandmates, evident in their unwavering support for Elin during this transformative time.
The Nelson Mandela 70th Birthday Tribute was a popular-music concert staged on 11 June 1988 at Wembley Stadium, London, and broadcast to 67 countries and an audience of 600 million. Marking the forthcoming 70th birthday (18 July 1988) of the imprisoned anti-apartheid revolutionary Nelson Mandela, the concert was also referred to as Freedomfest, Free Nelson Mandela Concert and Mandela Day…
No matter how brilliantly played, how beautifully recorded, how enthusiastically performed, a disc of joke encores is still a disc of joke encores. No one could complain that the KREMERata BALTICA is a less than superb chamber orchestra or that Gidon Kremer is less than a spectacular violinist or that Nonesuch has not given Kremer and the KREMERata stunning sound. No one could complain that the pieces are not fun and funny and sometimes a little touching.
“The night is short. It weighs heavy, but the light always awaits us.” Diamonds, the new album by The Birthday Massacre, contains an exploration of darkness as well as light, poison as well as its antidote. Within the songwriting, one can sense the passing of time, and the conflicts and resolutions that we can all feel. Nights end, and days resolve. If we look inside, we can find these precious emotions and conflicts. Every single one of them is valuable. Like the diamonds in the dark. And thus, we have "Diamonds" by the Birthday Massacre. The distinctive soaring synths and guitars, paired with our Chibi's beautiful familiar and reassuring voice, guides us all into the darkness as well as out to the light - guides us to mourn and to look inside, but also take our hand and invite us to dance, and remember - the night is short. It weighs heavy, but the light always awaits us.
Few guitarists, even ones leaning toward the eccentric, would dream of pasting together a 19-minute instrumental out of various improvisations. But John Fahey is on his own planet, and he assured that fingerstyle guitar would never be the same when he issued The Great San Bernardino Birthday Party on his own Takoma label in 1966. The album features Fahey's more experimental explorations on the guitar between 1962 and 1966, ranging from solo guitar on "Guitar Excursions Into the Unknown" to the eerie organ accompaniment on "Will the Circle Be Unbroken."
…The Queen Anne Ode is a solemn piece, again, a real pleasure to listen to, but not exactly a memorable showstopper. If you are a fan of Hogwood, as am I, this is a must have CD. Nothing he ever did is a complete wash, and this collection a far cry from it. This is Vintage Hogwood. Call it "Early Original Instrument."