Négocier Son Salaire Video2brain

Savoir bien communiquer en anglais avec ses clients, ses partenaires, sa hiérarchie ou ses collègues étrangers peut s’avérer indispensable et nécessiter une préparation sur le fond, ainsi qu’une pratique de la langue très ciblée, à l’écrit comme à l’oral.
Partant de nombreuses situations de terrain où le savoir-faire professionnel et la pratique de la langue sont des facteurs clés de réussite (accueillir un visiteur, défendre un argumentaire, présenter ses produits, animer une réunion, négocier les clauses d’un contrat, piloter un projet, gérer la relation client…)

Une présentation du vocabulaire anglais de la négociation, avec une section théorique explicative, des listes de vocabulaire, des exercices corrigés, des études de cas et des synthèses grammaticales. …

This collection spotlights the great Delta bluesman Son House at three distinct points in his life. Included here are three of his 78s issued in the 1930s by Paramount Records, several of the Library of Congress field recordings done by Alan Lomax in 1941-1942, and a sampling of rediscovered 1960s concert pieces, including a riveting version of Blind Willie Johnson's "John the Revelator." All of this material is available elsewhere, but having examples of these different eras all on one disc makes this set a nice introduction to the full sweep of House's recorded legacy.

This collection spotlights the great Delta bluesman Son House at three distinct points in his life. Included here are three of his 78s issued in the 1930s by Paramount Records, several of the Library of Congress field recordings done by Alan Lomax in 1941-1942, and a sampling of rediscovered 1960s concert pieces, including a riveting version of Blind Willie Johnson's "John the Revelator." All of this material is available elsewhere, but having examples of these different eras all on one disc makes this set a nice introduction to the full sweep of House's recorded legacy.

More pervasive than a virus, anxiety and urgency has spread across our physical and virtual landscapes. The air of the present moment find parallels on the newest body of work by Son Lux: Tomorrows, a long-format album to be released in three volumes over the course of a year. On Tomorrows, Ryan Lott, Rafiq Bhatia, and Ian Chang train their sights on volatile principles: imbalance, disruption, collision, redefinition. But for all of its instability, Tomorrows’ exploration of breaking points and sustained frictional places is ultimately in service of something rewarding and necessary: the act of questioning, challenging, tearing down and actively rebuilding one’s own identity.

Forever on My Mind, the new album of previously unreleased Son House recordings from Easy Eye Sound, the independent label operated by Dan Auerbach of The Black Keys, is the premiere release from Waterman’s personal cache of ’60s recordings by some of the titans of Delta blues. His collection of quarter-inch tapes — which are being restored to remarkable clarity by Easy Eye Sound — have gone unreleased until now.