N'importe Qui Sauf Toi

Lady M, une vieille femme riche et excentrique, passe ses vacances en compagnie d'un diplomate fané, Pompilius Enaresco. Fière des deux-mille-dix-sept amants qu'elle revendique, elle ne compte pas s'arrêter en si bon chemin et jette son dévolu sur Lambert. Ce jeune plagiste attentif et flatteur est doté de toutes les qualités du gigolo…

Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover …

The European equivalent of "The Return of the Secaucus 7," this Swiss film looks at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.

John Locke is a Brit in Marrakech exploring Delacroix's seminal visit there. He's in an isolated villa with Belkis, his enigmatic servant and concubine. He receives slides of erotic drawings that could be by Delacroix; an antique dealer, who's a doctor and may be a white slave trader, says there are two such sketchbooks. By now, Locke's dreams have become intense: they include sado-masochism with compliant young women and visions of a woman in white, who may be a nineteenth century woman executed for an affair with a Frenchman. She looks like a local actress. Against Belkis's advice, Locke accepts various invitations. Aside from dreams and tableaux, will anything real happen?

Renowned French director François Truffaut is at the top of his form in this whimsical, lively story about an eccentric casanova who loves every woman he meets -literally! Irresistibly charming and witty, this playful romantic comedy is heartwarming, hilarious and highly entertaining! (-DVD cover)

On a hot day in a highway gas station men's room, a man Michel doesn't recognize says they went to school together. He's Harry. He suggests they have a drink, so he and his girlfriend follow Michel and his family to their summer place. Michel is amazed when Harry quotes from memory a poem Michel wrote in school. Harry thinks Michel is a great writer, and he's distressed that Michel hasn't written in years. Harry stays awhile (since his father's death, he's a man of leisure) and sets out to eliminate distractions that might keep Michel from writing. First he buys Michel a car (with air conditioning) and then suspicious things happen. Michel picks up a pen, Harry is gratified, but he's not finished being Michel's self-appointed patron.

Le 3 mai 1987, à 54 ans, Dalida s'est donné la mort. Juste avant de disparaître, elle griffonna sur une feuille de papier : «La vie m'est insupportable. Pardonnez-moi.» Saluée tout au long de sa carrière comme la réussite la plus foudroyante de l'histoire du music-hall, l'artiste la plus populaire, la chanteuse la plus programmée, Dalida imaginait-elle que ses chansons de même que sa personnalité survivraient trente ans plus tard à sa disparition ? Gérard Miller et Anaïs Feuillette retracent le parcours de la star et recueillent les témoignages d'Orlando, Line Renaud, Serge Lama, Bertrand Delanoë, Liza Azuelos, Jean Sobieski, David Lelait-Helo et Rosy Gigliotti.