n a h w 12

Sonny Stitt - The Complete Roost Sonny Stitt Studio Sessions (1952-65) {9CD Box Set Mosaic MD9-208 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.05 Gb | MP3 @320 -> 1.37 Gb
Full Artwork @ 300 dpi (jpg) -> 110 Mb | 5% repair rar
© 1952-65, 2001 Mosaic Records / Capitol / EMI | MD9-208 | 24-bit remaster
Jazz / Bop / Saxophone

Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.

Tal Farlow – The Complete Verve Tal Farlow Sessions (2004) {7CD Box Set Mosaic MD7-224 rec 1951-1959}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.69 Gb | MP3 @320 -> 1.04 Gb
Full Artwork @ 600 dpi (jpg) -> 209 Mb | 5% repair rar
© 1951-59, 2004 Mosaic Records / Verve / Universal | MD7-224
Jazz / Bop / Cool / Guitar

Tal Farlow, was an innovative self-taught jazz guitarist who influenced generations of guitarists following in his footsteps. Although some of his peak years as a recording artist occurred during his association with Verve between 1954 and 1959, relatively few of the tracks were available for decades until the release of this comprehensive Mosaic box set. The music is consistently brilliant, as the leader's solos seem to evolve effortlessly, often finding fresh ground in the many standards and classic jazz compositions performed in this set. Aside from the three opening tracks from Farlow's days as a member of vibraphonist Red Norvo's trio, the guitarist is the leader.

The Modern Jazz Quartet - The Complete Atlantic Studio Recordings 1956-1964 (2011) {7 CD Box Set Mosaic MD7-249}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.97 Gb | MP3 @320 -> 1.23 Gb
Full Artwork @ 300 dpi (png) -> 285 Mb | 5% repair rar | 24-bit remaster
© 1956-64, 2011 Mosaic / Atlantic / Rhino | MD7-249
Jazz / Cool / Bop / Third Stream / Piano / Vibes

That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.

Buddy Rich - Argo, Emarcy & Verve Small Group Sessions (1953-61) [7CD Set] (2005) {Mosaic MD7-232}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.17 Gb | MP3 @320 -> 1.02 Gb
Artwork @ 300 dpi (png) -> 39 Mb | 5% repair rar
© 2005 Mosaic / Universal | MD7-232 | 24-bit remaster
Jazz / Mainstream Jazz / Bop / Drums

Buddy Rich, the most remarkable drummer to ever play jazz, can easily have his career divided into three. During 1937-1945 he was a notable sideman with big bands including those of Bunny Berigan, Artie Shaw, and Tommy Dorsey. In 1966 he formed his own successful orchestra that capitulated him to his greatest fame. During the 20 years in between, Rich led short-lived bebop big bands, a variety of combos, toured with Jazz at the Philharmonic, recorded with all-star groups, and had stints with the orchestras of Dorsey and Harry James. This seven-CD set draws its material from Rich's second period and it can also be divided into two. The first half has Rich recording for producer Norman Granz in a variety of combos.