Nami

It’s a limited edition 1000 hand-numbered copies. Absolutely unique collection of 22 albums by SBB, one of the best prog bands ever! All albums are remastered and enhanced with over 60 bonus tracks. The box contains all catalogue releases of SBB plus some extras!!!

16 rare cuts selected by Miles Cleret and DJ Okapi - available for the first time on vinyl outside of their original release!

Cannonball Adderley - Accent On Africa (1968) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar | 24-bit remaster
© 1968, 2011 Capitol / EMI Music Japan | TOCJ-50202 | Jazz Masterpiece Best & More 999 Series
Jazz / Hard Bop / Soul Jazz / Saxophone

Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices – all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.

Antonín Dvorák’s success in Europe during the 1880s led to invitations to visit England and the commissioning of his oratorio Saint Ludmila for the Leeds Festival. It tells the moving and turbulent story of Ludmila’s conversion to Christianity, an important event in Bohemian history that led to her becoming Bohemia’s patron saint. Written for large forces and with a predominant part for the chorus in the tradition of Handel, Saint Ludmila is full of Dvorák’s typical warmth and melodic beauty, and stands alongside his Stabat Mater and Requiem as one of his greatest works.