Napoleon Options

The link between Phil Napoleon and Red Nichols does not stop at their meeting on this record under the auspices or a new CD edition. The present disc opens with recordings of Red Nichols (five sides in all) and presents him leading his own band, whether it be Red Nichols and His Orchestra or Red and his Big Ten, nine or ten musicians in all. Part of the space devoted to Phil Napoleon includes small formations - five to seven musicians. Phil and Red both were important musicians and both had to suffer from a relative critical exclusion reserved by some to white jazz musicians. Phil recorded a large number of sides between the twenties and the thirties, a time at which he knew considerable success…

The three works presented here reveal distinctly different phases of Arnold Schoenberg's development, each a critical point of departure. In the Pieces (5) for Orchestra (1909), Schoenberg's atonal language appears full-blown and marks a clear break with tonality. For the first time, Schoenberg places content over form and dispenses with any pretenses toward classical objectivity or balance.

Archie Shepp - Phat Jam In Milano (2009) {Dawn of Freedom DOF0901 rec 2007}
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© 2009 Dawn of Freedom | DOF0901
Jazz / Hard Bop / Avant-Garde Jazz / Hip-Hop / Saxophone

After his rap-jazz collaboration with Public Enemy's Chuck D, saxophone icon Archie Shepp evidently felt the need to continue in the contemporary hip-hop mode. Hence the live PHAT JAM IN MILANO from 2009, featuring yet another rapper, Napoleon Maddox, who muses on life in Amerika under George W. Bush on "Ill Biz." (There is even a radio-edit of this cut provided at the end of the album). Luckily–and apart from the obvious fact that this live set was recorded prior to the election of Barack Obama–the jazz side of the equation isn't neglected here.

Arnold Schoenberg (1874-1951) was arguably THE pivotal composer who launched the 20th century avant-garde in classical music. Along with his students Alban Berg, Anton Webern, and Hanns Eisler - the Second Vienna School - Schoenberg exploded the late Romantic soundworld and opened up new worlds of possibilities, first with atonal expressionism, and later with the innovative serialist system of composition.

Our first selection “Sing Sing Sing” re-visit a Krupa classic known as the “killer driller” when the great showman drummer stole the show from his band leader, Benny Goodman at the historic Carnegie Hall concert of 1938. For this particular version recorded in New York 1954 we hear Krupa alongside Eddie Shu on clarinet and Teddy Napoleon on piano for a fine ten minute workout! Nice! Our next selection “Gene Krupa Quartet” finds Krupa in a “first” as this is his first recording as a Quartet. Recorded in New York and Los Angeles in 1954 and 1955 he is joined again by Eddie Shu and Bobby Scott with Milt Hinton on bass in L.A. and John Drew on bass in New York…