Naughty+boys

This is YMO's 6th album, released in May 1983 and undoubtedly one of the best synthesizer pop albums ever. 'Naughty Boys' has a different sound and leans more to the Japanese pop music scene than previous albums. Nevertheless, this is a solid dance album! 'Kimi Ni Mune Kyun' and 'Lotus Love' stand out as most famous and loved by fans. 'Instrumentals' was released in July 1983 and is the instrumental version of 'Naughty Boys' featuring additional synths, a completely different running order and include different versions and mixes.

This is YMO's 6th album, released in May 1983 and undoubtedly one of the best synthesizer pop albums ever. 'Naughty Boys' has a different sound and leans more to the Japanese pop music scene than previous albums. Nevertheless, this is a solid dance album! 'Kimi Ni Mune Kyun' and 'Lotus Love' stand out as most famous and loved by fans. 'Instrumentals' was released in July 1983 and is the instrumental version of 'Naughty Boys' featuring additional synths, a completely different running order and include different versions and mixes.

Naughty Boys is the sixth album by Yellow Magic Orchestra, recorded from October 1982 to March 1983. It contains the pop-oriented single "Kimi ni Mune Kyun", as well as a "preview" of "You've Got to Help Yourself", which was released in its full version on the companion album Naughty Boys Instrumental, and again with vocals on Service. A remix album, Naughty Boys Instrumental contained nearly the entire Naughty Boys album as instrumental tracks in an entirely different running order, as well as the b-side to "Kimi ni, mune kyun.", "Chaos Panic"; and the full instrumental version of "You've Got to Help Yourself", which was released in "preview" form on the previous album.

With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing. There's no Betty Boop hiccups or Mae West-style brassiness in her charmingly original voice. And when she starts to play her ukulele, it's clear that this oft-ridiculed cousin of the guitar is neither prop nor gimmick, but a delightful and under-utilized musical instrument. Bearing an ever-expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's , 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.

With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing. There's no Betty Boop hiccups or Mae West-style brassiness in her charmingly original voice. And when she starts to play her ukulele, it's clear that this oft-ridiculed cousin of the guitar is neither prop nor gimmick, but a delightful and under-utilized musical instrument. Bearing an ever-expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's , 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.